TL Audio Fat Track - Manual (Page 14)

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Too much energy in the low mids (around 300Hz – 2kHz) can cause a really ‘middy’
sound which lacks drive and excitement. The mid ranges are very important, as it is
within these ranges that your vocal and lead instruments will be most prominent so it
is essential that you get a good balance. Finally, towards the top of the listening
spectrum, frequencies here are generally adding sparkle and a sense of space to your
overall mix. Lack of energy from as low as 2kHz can cause the mix to sound dull
whilst to much top and your mix will sound overly bright. But take care with the top
end as most of the hiss associated with recording is within the range of the high
shelving (HF), to reduce excessive noise it is better to record with too much top and
wind it off when mixing than vice versa.
You should frequently A/B the sound you are Equalising by pressing and depressing
the EQ ON button; it is astonishing how quickly the ear can adjust to changes. By
making frequent comparisons you can make sure you do not stray from the required
sound. It is also worth spending some time getting used to the EQ on the Fat Track - it
sounds great and you'll be amazed how versatile and musical it can be.
Insertion Points
The insert points are configured to be post the input amplifier with its valve stage, but
pre EQ and fader. Typical applications include the connection of a compressor (for
example the TL Audio Ivory 5021) into the channel, or perhaps a gate (usually for
percussive sounds) or a dedicated outboard equaliser (e.g. the TL Audio Ivory 5013)
for extensive EQ correction or effect.
The inserted device can easily be switched on and off for A/B comparison and
flexibility via the ‘INSERT ON’ button at the bottom right of each channel strip.
As the insert points are balanced, you could also use the insert send as an additional
direct output. This would give the benefit of a short path audio circuit, but remember
that the insert send is pre EQ and pre Fader.
Effects Send
Effects sends are available on each channel to provide you with the ability to send
signal to an effects processor (typically a reverb).
The effects send rotary knob controls the amount of signal that is sent from the
channel to the effects unit. Playing with the amount of signal you send and the level
you set the Effects return knob at will greatly differ the severity of the chosen effect.
Direct Output
Direct outputs are provided from both channels to connect directly to your computer
soundcard or recording device via balanced analogue jacks. The direct output is post
Insert, EQ, and Fader but pre Mute.