TL Audio 5052 - Manual (Page 32)

greater than 50mS prevents this problem, which is why adjusting to a slower
release setting will cause the distortion to disappear. For the same reason,
source signals with little or no LF content will not be subject to this effect.
Additionally on the 5052 a ‘Hold’ circuit is designed into the compressor
stage. This delays the onset of the release by around 10mS, and as a result
the above effect is minimized.
7. SPECIFICATIONS
Line Inputs:
Balanced via XLR, switchable +4/+18dBu nominal level.
Unbalanced via Jack, switchable -10/+4dBu nominal level.
Gain range +/-20dB.
Maximum input level +26dBu, balanced and unbalanced inputs.
Mic Inputs:
Balanced via XLR.
Selectable +48V Phantom Power.
Gain range +16dB to +60dB (-14dB to +30dB with pad).
Input noise (EIN, 22Hz-22kHz, 60dB gain, 150 ohm termination): -127dBu.
Instrument Input:
Gain range 0dB to +40dB.
Input impedance 1Mohm.
Maximum input level +8dBu.
High Pass Filter:
-3dB at 90Hz.
-12dB per octave.
Effective on all inputs.