DigiTech RP1000 - Manual (Page 49)

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‘65 Fender® Blackface Deluxe Reverb®
The single speaker version of its bigger brother, this amp is equally at home for blues, country
and rock players.
’59 Gibson® GA-40
A very cool blues/rock amp in the ranks with the Deluxes but with a personality all its own.
‘69 Hiwatt® Custom 100 DR103
This superb rock and roll amp was the staple of Pete Townshend’s tone in the early /70s. A
monster that has loads of headroom, this is at its best when cranked up all the way and paired
with the Fane 4x12 cab.
’69 Laney™ Supergroup
The Supergroup was used most notably by Tony Iommi and was key to the sound of early Black
Sabbath records.
‘65 Marshall® JTM-45
Perhaps the turning point for blues and rock and roll, this amp set the course for the future of
Marshall® amps. It started the “crunch” revolution, turning up on classic songs from AC/DC and
most notably the Bluesbreakers “Beano” album featuring Eric Clapton.
‘68 Marshall 100 Watt Super Lead (plexi)
This is undoubtedly the amp that changed rock and roll. It is a benchmark for many of the great-
est guitar sounds ever heard. From Hendrix to Van Halen, this amp is the real deal.
‘68 Marshall Jump Panel
This is the method to get the most saturation from the classic plexi. By jumping channel 1 into
channel 2, you get a bit more push over the top.
‘77 Marshall Master Volume
This amp was king of rock and roll in the 70’s and one of our favorites. This JMP 100W amp
featured four 6550 output tube making it hot and punchy for rock and punk music alike.
‘83 Marshall JCM800
The amp that defined many of the metal sounds of the 80’s is still one of the most highly re-
spected Marshall® amps ever made.
‘93 Marshall JCM900
Incorporating a diode clipping stage, this amp gives you more gain than you can shake a stick at.
‘01 Marshall JCM2000 (Solo Channel)
The TSL100 is a superb tone with tons of sustain for grinding riffs or singing solos.
‘81 Mesa Boogie® Mark II C
Based originally off hot rodded Fender® amps, this classic has some of the best rhythm and lead
tones ever. This amp was the peak for Mesa Boogie during their custom built to order days.
’86 Mesa Boogie .22 Caliber
A monster little combo with the classic Boogie Mark tone.
‘93 Mesa Boogie Mark IV
If high gain is your bag, this is up your alley. Still a hugely influential amp today as it was when
introduced over a decade ago.
‘96 Mesa Boogie Dual Rectifier
The new benchmark for metal guitar, this mid 90’s Rectifier series unleashed a new era of high
gain amp mayhem.
‘01 Mesa Boogie Triple Rectifier
The latest from the guys in Petaluma, this bigger brother of the dual rectifier packs and addi-
tional 50 Watts of power.