Slate Digital Virtual Buss Compressors - Manual (Page 4)

For
instance,
in
one
real
analog
compressor
that
we
studied,
the
harmonic
distorKon
at
the
point
of
aSack
was
a
different
profile
than
that
of
the
instance
of
release.
Both
of
these
profiles
were
different
depending
on
the
source
file
that
was
used.
Overall,
compression
is
an
extremely
complex
set
of
nonlinear
reacKons,
and
replicaKng
them
authenKcally
is
the
only
way
to
get
real
analog
tone
out
of
a
digital
model.
At
Slate
Digital,
we
wanted
to
offer
compressor
plug-­‐ins
that
truly
responded
with
the
same
expressive
analog
character
of
real
analog
compressors.
We
started
way
back
in
the
summer
of
2010,
with
Fabrice
Gabriel
and
Slate
Technical
Director
Anthony
Tagliane_
doing
hundreds
of
measurements
on
some
of
the
most
sought
a]er
vintage
compressors
in
the
industry.
And
now
in
2013,
we
offer
our
first
compressor
bundle
called
the
Virtual
Buss
Compressors.
The
three
compressors
intended
for
stereo
buss
use
will
amaze
your
ears
with
their
unique
tone,
versaKlity,
musicality,
and
authenKcity.
As
an
audio
engineer
myself,
I
am
ecstaKc
that
I
can
now
have
plug-­‐in
compressors
that
exhibit
the
real
tone
and
vibe
that
I've
become
accustom
to
for
years
with
my
analog
compressors.
I
hope
you
enjoy
this
wonderful
processor
on
your
mixes
as
much
as
I
enjoy
it
on
my
own.
-­‐
Steven
Slate
Slate
Digital
-­‐
Virtual
Buss
Compressors
4