Slate Digital Virtual Buss Compressors User Manual

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FG-RED

This  compressor   is  based  on  the  classic  RED  faced  compressor  that  has  been  a  favorite  of  mix  

legend  Chris  Lord  Alge,  who  first  showed  it  to  me  when  I  visited  his  studio  years  ago.  I  thought  

it  was  odd  actually.  Here  was  this  compressor  that  nobody  else  seemed  to  really  use,  and  it  was  

on   a  se_ng   at   1.5:1   and   the   aSack   looked   very   fast   for   a   Mix-­‐Buss  compressor.   This  was  

puzzling  because  I  usually  associated  a  faster  aSack  with  a  loss  of  transient  punch,  but  if  you've  

heard  Chris's  mixes  you  know  that   they   are  the  exact   opposite  of  that!   So  being   the  classic  

gearslut,  I  bought  one,  (I  got  the  unit  with  both  input  and  output  transformers).  The  first  thing  I  

did  was  put  it  on  my   mix   in  the  se_ngs  that   Chris  showed  me...   1.5:1,   aSack  around  10/11  

o'clock,  auto  release,  compressing  just  2-­‐3db  tops.  And....  WOW!  One  of  the  clearest,  punchiest  

sounding  rock  mixes  I'd  ever  heard  come  out  of  my  own  speakers.  This  unit  was  amazing!!!

When  Fabrice  and  I  analyzed  the  RED,  we  found  out  that  it  was  indeed  a  very  unique  beast.  The  

aSack  and  autorelease  work  very  uniquely  and  musically.  But  the  real  magic   we  found  was  in  

the  output  secKon!    We  found  that   just   pushing  the  makeup  gain  a  few  db  did  some  insane  

things  to  the  sound!    A  liSle  push  and  things  got   so  much  more  punchy,   fat,  and  aggressive.  

A]er  more  examinaKon,  we  realized  that  this  was  due  to  a  series  of  nonlinear  reacKons  caused  

by  the  output  transformer.  Howie  Weinberg,  the  famous  mastering  engineer  who  has  a  studio  

on  our  campus  let  us  in  on  a  liSle  secret.  He  uses  his  RED  not  for  compression,  but  just  to  use  

the  output  gain  to  get  that  amazing  effect!    So  I  decided  to  do  something  that  the  original  unit  

cannot..  I  put  that  output  transformer  effect  on  a  knob  called  DRIVE.  When  you  push  this  DRIVE  

knob,  you  get  this  beauKful  punch  and  arKculaKon  of  the  transients,  and  you  can  control  just  

how  much  you  want,   regardless  of   whether   or   not   you  use  the  makeup  gain!     Famous  rock  

mixer  JusKn  Neibank  beta  tested  the  FG-­‐RED  and  loves  the  drive,  suggesKng  '6.6'  as  the  magic  

number.  But  you  can  try  cranking  it  all  the  way  for  an  interesKng  effect!

Slate  Digital  -­‐  Virtual  Buss  Compressors  

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