Mark Levinson N40 - Manual (Page 11)

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Nº40 Media Console Getting Started
stereo analog outputs, a digital audio output, and a zone-
specific IR input for control purposes
• 2 PHASTLink™-compatible communications ports
• 2 RS-232 communications ports
• 3 programmable DC triggers
• 1 main zone infrared input jack
Of course, an expandable, modular design does little good without
some room for expansion. So, on top of all this standard capability,
we have left several “slots” open in each processor for future appli-
cations, which may include more I/O, secure digital audio or video
interfaces, advanced video processing options, or additional DSP
resources.
Graphic user interface
The front-panel feature that tends to attract the most attention on
the Nº40 is the inclusion of a small LCD screen on the video proces-
sor. This screen can be used in several helpful ways, including the
ability to access all the setup menus and control options via our
graphic user interface. The user interface (which is also available on
the monitor output or overlaid on the main video output) makes
setting up even a complex system relatively straightforward, as it
leads you through the process in a logical manner.
This user interface is implemented in the digital video domain for
the greatest clarity and legibility, and incorporates several propri-
etary Mark Levinson technologies. Its hierarchical structure is
logical and easily navigated, and presented visually in a manner
that always shows you where you are in the menu system, as well as
how you got there. It is virtually impossible to get “lost” in such a
system, no matter how deeply you delve into the hierarchy.
Sound profiles
One innovation of which we are particularly proud is the notion of
a sound profile. With many years of multichannel, audio/video expe-
rience, we have an appreciation of the degree to which people
would like to have their system configured differently, based on
what they are playing.
When watching an action movie, many people like to turn up the
surround channels and subwoofer a bit to enhance the excitement;
additionally, they may require THX processing, and particular bass
management settings to suit the explosive nature of such films.
However, when the movie is over and you put on some relaxing
music, all those settings that were so perfect for the action movie
now sound quite inappropriate, if not outright dreadful.