KORG D3200 - Manual (Page 141)

131
Counter Rename
METER
MIXER
CH
VIEW
EFFECT
SEND
EQ
PAN
SONG
SYSTEM
/MIDI
TRACK
CD
UNDO
TUNER
SESSION
DRUMS
STORE SCENE
MARK
SCRUB
LOC 1/IN ... LOC 4/END
REC/PLAY
MODE
Transport
keys
Reference
OptimizeTrk
This operation re-creates the audio events in the IN–OUT re-
gion to prevent “Disk too busy.” errors from occurring.
If there are no gaps between one audio event and the next, or
if the gap is small, the data will be combined into a single
event. If there are extended gaps between audio events, the
data will be re-created in a way that avoids wasting space.
By setting the IN–OUT region to the beginning and end of the
song, and executing the Optimize Track operation, you can re-
create the data in a form that will be ideal for hard disk access.
A1. Destination
[1...32, ML, MR, 1-2...31-32, MST, 1-4...29-32,
1-8...24-32, 1-16, 17-32, 1-32, ALL]
Selects the track that will be optimized.
For a 48 kHz/24-bit or 44.1 kHz/24-bit song, you can select
only tracks 1–16.
A2. WAVE
This displays the audio data of the track as a waveform.
Here you can set the editing locations (IN, OUT) more
precisely. (
→p.128 Edit Type: “CopyTrk,” Wave dialog
box)
ExpCmpTrk
This operation expands or compresses the track data of the
IN–OUT range of the expansion/compression source track
(Source), places it in the TO–END range of the expansion/
compression destination track (Destination), and copies it
the specified number of times beginning at the TO location.
When this is executed (Exec.), the expansion/compression desti-
nation track will be overwritten.
The available ratio of expansion/compression is limited, and if the
IN–OUT duration is drastically different than the TO–END du-
ration, an error message will appear when this is executed. In gen-
eral, the TO–END time can be changed to 50–200% of the IN–
OUT time.
A1. Source [1...32, ML, MR, 1-2...31-32, MST]
Select the expansion/compression source track.
For a 48 kHz/24-bit or 44.1 kHz/24-bit song, you can select
only tracks 1–16.
A2. Destination [1...32, ML, MR, 1-2...31-32, MST]
Select the expansion/compression copy destination
track.
For a 48 kHz/24-bit or 44.1 kHz/24-bit song, you can select
only tracks 1–16.
A3. Times [1…99]
Specify the number of times that the data will be copied.
A4. WAVE
This displays the audio data of the track as a waveform.
Here you can set the editing locations (IN, OUT, TO,
END) more precisely. (
→p.128 Edit Type: “CopyTrk,”
Wave dialog box)
A5. Mode
Select how the expansion/compression will be proc-
essed.
When you click this button, the ExpComp Mode dialog
box will appear.
5a. Mode [Fast, Mid, Best]
Specify the conversion mode for expansion/compres-
sion.
However if “5b. Pitch” is set to “Variable,” this set-
ting will have no effect.
5b. Pitch [Fixed, Variable]
Select the pitch at which the data will play back after
expansion/compression has been performed.
When you click the OK button (or press the panel YES
key), expansion/compression will be executed with the
conversion mode that you selected. Click the Cancel but-
ton (or press the panel NO key) to cancel without execut-
ing.
IN OUT SourceTrack
DestTrack
A1
A2
A B C ...
A B C ... A B C ... A B C ...
IN OUT
TO
SourceTrack
DestTrack
TIMES
END
A4
A5
A1 A2 A3
Fast: Processing speed will be given priority
Mid: Mid-way between “Fast” and “Best”
Best: Audio quality will be given priority
Fixed: The pitch will remain the same
Variable: The pitch will be change
5a
5b
TRACK