Screamer, Classic distortion, Vetta comp – Line 6 headphones powered monitors User Manual

Page 94: Screamer classic distortion vetta comp, Scream, Classic, Vetta c, Distortion

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Line 6 GearBox 3.1 – Basic Features Guide

Scream

Stevie Ray Vaughan to Michael Landau, the simple

ve heard 'round the

his medium-gain pedal was introduced in the early '80s,

ut

. These

product names, descriptions and images are provided for

Classic

d in the late '70s, the ProCo Rat was

ortion

d that was angrier and more

nt a

in no way associated or affiliated with Line 6. These product names, descriptions and

images are used solely to identify the specific products whose tones and sounds were studied

Vetta C

taken from the Vetta II, Line 6's flagship guitar amplifier. A Line 6 original, Vetta

fixed ratio (2.35:1, in case you're asking) with the threshold (that would be your

) adjustable from -9dB to -56dB and up to 12dB of gain available at the LEVEL knob.

er

From
Ibanez® Tube Screamer® is the overdri
world. T
and in many blues circles, you're not allowed to solo witho
one. Over the years, Ibanez® issued several variations of the
venerable Tube Screamer®, but none have reached the fabled
status of the TS-808® that this model is based on*.

* IBANEZ® is a trademark of Hoshino Gakki Co. Ltd. and
is in no way associated or affiliated with Line 6

the sole purpose of identifying the specific products that
were studied during Line 6’s sound model development.

Distortion

Born and bre
the beginning of a new generation of dist
boxes. With a soun
aggressive than a fuzz, the Rat put teeth into a new
breed of metal that was beginning to crawl to the
surface of the music scene. The TONE knob on
GearBox's Classic Distortion Model based on* the
Rat model functions like the original's "filter"
control, giving you brighter tone at lower settings,
and darker tone at higher settings. Once bitten,
you'll know why we call this one "tone with
teeth!"

* All product names used in this docume
are

re trademarks of their respective owners, which

during Line 6’s sound model development.

omp

This effect is
Comp has a
SENS knob
In other words, turn the SENS knob 'til you like the way your signal's compressed, then set the
volume with LEVEL.

Page 94

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