All notes off (controller number 123), Omni off (controller number 124), Omni on (controller number 125) – Roland VIMA JM-5 User Manual

Page 4: Mono (controller number 126), Poly (controller number 127), System realtime messages, Active sensing, Timing clock, Start, Continue (song playback only)

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JM-5 MIDI Implementation

4

All Notes Off (Controller number 123)

• When All Notes Off is received, all notes on the corresponding channel

will be turned off. However, if Hold 1 or Sostenuto is ON, the sound will
be continued until these are turned off.

OMNI OFF (Controller number 124)

• The same processing will be carried out as when All Notes Off is received.

OMNI ON (Controller number 125)

• The same processing will be carried out as when All Notes Off is

received.OMNI ON will not be turned on.

MONO (Controller number 126)

• The same processing will be carried out as when All Sounds Off and All

Notes Off is received, and the corresponding channel will be set to Mode
4 (M= 1) regardless of the value of “mm (mono number).”

POLY (Controller number 127)

• The same processing will be carried out as when All Sounds Off and All

Notes Off is received, and the corresponding channel will be set to
Mode 3.

System Realtime Messages

Active Sensing

• When Active Sensing is received, the unit will begin monitoring the inter-

vals of all further messages. While monitoring, if the interval between
messages exceeds 420 ms, the same processing will be carried out as
when All Sounds Off, All Notes Off and Reset All Controllers are received,
and message interval monitoring will be halted.

Timing Clock

• When “Timing Clock” message is received, theSong is synchronized to an

external clock according to the following table.

Start

Continue

(Song playback only)

• Received when Song RX parameter (MIDI) is set to AUTO, MIDI or

REMOTE.

• When a “Continue” message is received, the Song continues playing from

the current position.

Stop

• When a “Stop” message is received, the Song stops playing.

System Common Messages

Song Position Pointer

Modulation

0 (off)

Expression

127 (max)

Hold 1

0 (off)

Portamento

0 (off)

Sostenuto

0 (off)

Soft

0 (off)

RPN

unset; previously set data do not change

NRPN

unset; previously set data do not change

Status

2nd byte

3rd byte

BnH

7BH

00H

n= MIDI channel number:

0H~FH (Ch.1~16)

Status

2nd byte

3rd byte

BnH

7CH

00H

n= MIDI channel number:

0H~FH (Ch.1~16)

Status

2nd byte

3rd byte

BnH

7DH

00H

n= MIDI channel number:

0H~FH (Ch.1~16)

Status

2nd byte

3rd byte

BnH

7EH

mmH

n= MIDI channel number:

0H~FH (Ch.1~16)

mm= mono number:

00H~10H (0~16)

Status

2nd byte

3rd byte

BnH

7FH

00H

n= MIDI channel number:

0H~FH (Ch.1~16)

Status

FEH

Status

F8H

* SONG: Received when Song RX parameter (MIDI) is set to AUTO or

MIDI.

Song Sync RX

Response

Internal

A Song will neither start/stop nor follow the tempo of
the external Timing Clock (F8) and “Start /Stop” (FA/
FC) messages.

Auto

If a Song receives MIDI “Start/Stop” (FA/FC), it will fol-
low Internal or External clock, depending on whether
“MIDI Clock” (F8) messages are received.

MIDI

If a Song receives MIDI “Start/Stop” (FA/FC) it will fol-
low External “MIDI Clock” (F8) messages and here-
fore wait until they are received.

Remote

If a Song receives MIDI “Start/Stop” (FA/FC) it will fol-
low only Internal tempo and thus ignore incoming
“MIDI Clock” (F8) messages.

Status

FAH

* SONG: Received when Song RX parameter (MIDI) is set to AUTO, MIDI

or REMOTE.

Status

FBH

Status

FCH

* SONG: Received when Song RX parameter (MIDI) is set to AUTO, MIDI

or REMOTE.

Status

2nd byte

3rd byte

F2H

XXH

YYH

XX= Song Position ( Bar ) LSB
YY= Song Position ( Bar ) MSB

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