Roland G-70 - Manual (Page 245)

Appendix | MFX and IFX types and parameters
G-70 Music Workstation r
245
● Rev Delay Time [sync] (msec, Note)—Use this parameter
to specify whether (“Note”) or not (“msec”) the reverse
delay time should be synchronized to the Arranger or
Recorder tempo. Depending on your choice, the setting
range of the following parameter refers to a speed (Hz) or a
note value.
● Rev Delay Time [msec] (0~1300ms)—Delay time from
when sound is input into the reverse delay until the delay
sound is heard.
● Rev Delay Time [note] (Musical Notes)—Delay times can
be set as a note-value of a tempo, if you set the “Sync”
parameter above to “msec”. Specify the value of the desired
note.
● Rev Delay Feedback (–98%~0~+98%)—Proportion of the
delay sound that is to be returned to the input of the
reverse delay (negative values invert the phase)
● Rev Delay HF Damp (200~8000Hz, Bypass)—Frequency at
which the high-frequency content of the reverse-delayed
sound will be cut (BYPASS: no cut).
● Rev Delay Panpot (L64~0~63R)—Panning of the reverse
delay sound.
● Rev Delay Level (0~127)—Volume of the reverse delay
sound.
● Delay 1 Time [sync] (msec, Note)
● Delay 2 Time [sync] (msec, Note)
● Delay 3 Time [sync] (msec, Note)—Use this parameter to
specify whether (“Note”) or not (“msec”) the delay time
should be synchronized to the Arranger or Recorder tempo.
Depending on your choice, the setting range of the follow-
ing parameter refers to a speed or a note value.
● Delay 1 Time [msec] (0~1300ms)
● Delay 2 Time [msec] (0~1300ms)
● Delay 3 Time [msec] (0~1300ms)—Adjusts the time until
the delay is heard.
● Delay 1 Time [note] (Musical Notes)
● Delay 2 Time [note] (Musical Notes)
● Delay 3 Time [note] (Musical Notes)—Delay times can be
set as a note-value of a tempo, if you set the “Sync”
parameter above to “msec”. Specify the value of the desired
note.
● Delay 3 Feedback (–98%~0~+98%)—Proportion of the
delay sound that is to be returned to the input of the tap
delay (negative values invert the phase).
● Delay HF Damp (200~8000Hz, Bypass)—Frequency at
which the low-frequency content of the tap delay sound
will be cut (BYPASS: no cut).
● Delay 1 Panpot (L64~0~63R)
● Delay 2 Panpot (L64~0~63R)—Panning of the tap delay
sounds.
● Delay 1 Level (0~127)
● Delay 2 Level (0~127)—Volume of the tap delay sounds.
● EQ Low Gain (–15dB~0~15dB)—Gain of the low fre-
quency range.
● EQ High Gain (-15dB~0~15dB)—Gain of the high fre-
quency range.
● Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
ance between the direct (D) and the effect sound (W).
● Level (0~127)—Output level.
72. Shuffle DLY
Adds a shuffle to the delay sound, giving the sound a bouncy
delay effect with a swing feel.
● Delay Time [sync] (msec, Note)—Use this parameter to
specify whether (“Note”) or not (“msec”) the delay time
should be synchronized to the Arranger or Recorder tempo.
Depending on your choice, the setting range of the follow-
ing parameter refers to a speed or a note value.
● Delay Time [msec] (0~2600ms)—Adjusts the time until
the delay is heard.
● Delay Time [note] (Musical Notes)—Delay times can be
set as a note-value of a tempo, if you set the “Sync”
parameter above to “msec”. Specify the value of the desired
note.
● Shuffle Rate (0~100%)—Adjusts the ratio (as a percent-
age) of the time that elapses before Delay B sounds relative
to the time that elapses before the Delay A sounds. When
set to 100%, the delay times are the same.
● Acceleration (0~15)—Adjusts the time over which the
Delay Time changes from the current setting to its speci-
fied new setting.
● Feedback (–98%~0~+98%)—Adjusts the amount of the
delay sound that’s fed back into the effect. Negative (–)
settings invert the phase.
● HF Damp (200~8000Hz, Bypass)—Adjusts the frequency
above which sound fed back to the effect is filtered out. If
you don’t want to filter out any high frequencies, set this
parameter to BYPASS.
● Panpot A (L64~0~63R)
● Panpot B (L64~0~63R)—Stereo location of Delay A/B.
● Level A (0~127)
● Level B (0~127)—Volume of delay A/B.
● EQ Low Gain (–15dB~0~15dB)—Gain of the low fre-
quency range.
● EQ High Gain (-15dB~0~15dB)—Gain of the high fre-
quency range.
● Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
ance between the direct (D) and the effect sound (W).
● Level (0~127)—Output level.
73. 3D Delay
This applies a 3D effect to the delay sound. The delay sound
will be positioned 90 degrees left and 90 degrees right.
● Delay Left Time [sync] (msec, Note)—Use this parameter
to specify whether (“Note”) or not (“msec”) the left delay
time should be synchronized to the Arranger or Recorder
tempo. Depending on your choice, the setting range of the
following parameter refers to a speed or a note value.
● Delay Left Time [msec] (0~2600ms)—Adjust the time
from the direct sound until when the left delay sound is
heard.
● Delay Left Time [note] (Musical Notes)—Delay times can
be set as a note-value of a tempo, if you set the “Sync”
parameter above to “msec”. Specify the value of the desired
note.
● Delay Right Time [sync] (msec, Note)—Use this parameter
to specify whether (“Note”) or not (“msec”) the right delay
time should be synchronized to the Arranger or Recorder
tempo. Depending on your choice, the setting range of the
following parameter refers to a speed or a note value.
● Delay Right Time [msec] (0~2600ms)—Adjust the time
from the direct sound until when the right delay sound is
heard.