Yamaha PSR-530 - Manual (Page 36)

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Auto Accompaniment
◆
The Stop Accompaniment Function
While the SINGLE FINGER, FINGERED 1, FINGERED 2, or MULTI-FIN-
GER mode is selected chords played in the AUTO ACCOMPNIMENT section of
the keyboard are also detected and played by the PSR-530 Auto Accompaniment
system when the accompaniment is stopped (except when the FULL KEYBOARD
mode is engaged). In this case the bass note and chord voices are selected
automatically.
One Touch Setting
The PSR-530’s 100 internal styles each have four recommended “panel setups”
that can be instantly selected via the [ONE TOUCH SETTING] and REGISTRA-
TION MEMORY [1] … [4] buttons. The One Touch Setting feature automatically
sets the following parameters:
● One Touch Setting Parameter List
• R1 Voice
(Voice number, volume, octave, pan, reverb level,
chorus send level, DSP send level)
• Dual Voice ON/OFF
• R2 Voice
(Voice number, volume, octave, pan, reverb level,
chorus send level, DSP send level)
• Split Voice ON/OFF
• L Voice
(Voice number, volume, octave, pan, reverb level,
chorus send level, DSP send level)
• Split Point : Split Voice=59
: Auto Accompaniment=54
• Auto Accompaniment=ON
• When the AUTO AC-
COMPANIMENT split
point and SPLIT
VOICE split point are
set to the same key,
the L voice and the
automatically selected
bass note will sound.
● MuL: The MULTI-FINGER Mode
This is the default accompaniment mode. The MULTI-FINGER mode automati-
cally detects SINGLE FINGER or FINGERED 1 chord fingerings, so you can
use either type of fingering without having to switch fingering modes.
muL FngrngMd
• Main A/B section
• Accompaniment Track data
(Style parameters=default, Track ON/OFF)
• Synchro start=ON
• Accompaniment volume=100
• Harmony ON/OFF, type, volume
• Reverb ON/OFF
• Chorus ON/OFF
• DSP ON/OFF, type, variation ON/OFF
• Multi Pad Set number
• Chord Match ON/OFF=Default (Multi Pad1…4)
• If you want to play mi-
nor, seventh or minor
seventh chords using
the SINGLE FINGER
operation in the MULTI-
FINGER Mode, always
press the closest white/
black key(s) to the root
of the chord.