Editing programs, Setting the portamento mode, Setting the portamento glide time – ALESIS QS6.2 User Manual

Page 43: Setting monophonic or polyphonic mode, The filter function [70 filter, Setting the filter frequency

Advertising
background image

Editing Programs

7

41

Setting the Portamento Mode

Button:

[EDIT] [60 PITCH]

Page:

8

Parameter:

Prtamento (EXPON, LNEAR, 1-SPD)

Portamento provides a glide in pitch from one note to the next. An

example of this is a steel guitar, where a note slides from one pitch to

another. This parameter determines the sweep’s curve.

With EXPON selected, the pitch change happens more rapidly at first,

then slows down as it approaches the destination pitch.

With LNEAR selected, the portamento glide time is constant. The pitch

takes the same time to reach its destination, regardless of the size of the

interval.

With 1-SPD selected, the portamento glide rate is constant, regardless of

the pitch difference between notes, so the pitch takes a longer time to

reach its destination for longer intervals.

Setting the Portamento Glide Time

Button:

[EDIT] [60 PITCH]

Page:

9

Parameter:

Porta Rate (00 to 99)

This sets the portamento glide time. Higher numbers give longer glide

times.

Setting Monophonic or Polyphonic Mode

Button:

[EDIT] [60 PITCH]

Page:

10

Parameter:

KeyMde (MONO, POLY, 1-PITCH or 1-PMONO)

In MONO mode, you can play only one note at a time. Portamento

behavior is most predictable in this mode.

POLY mode allows you to play multiple notes at the same time.

In 1-PITCH mode, the program Sound layer will play a single pitch (the

sample used for note C3) throughout the entire keyboard range.

1-PMONO is simply a monophonic version of 1-PITCH.

The Filter Function [70 FILTER]

The Filter function (button [70]) lets you control the tone of each Sound

layer.

Setting the Filter Frequency

Button:

[EDIT] [70 FILTER]

Page:

1

Parameter:

Frequency (00 to 99)

This sets the filter frequency. Lower values give a duller sound; higher

values give a brighter sound. At 00, no sound will pass through the filter

(unless it is being positively modulated by another source). At 99,

TIP: This is often used for layering in a

non-pitched noise or drum sound, for

example, to fatten up a bass guitar sound

with a hint of kick drum.

NOTE: This parameter interacts with

several others. If you hear no change when

you raise the Filter Frequency amount, try

lowering the F-ENV>FILT parameter.

TIP: Since the waveforms in the QS ROM

are recorded at the brightest possible

setting, filtering is often required to making

a program sound natural.

NOTE: If a Sound layer’s Keyboard Mode

is set to MONO, the envelopes will only re-

trigger when playing legato if the Trigger

Mode is set to Reset or Reset-Freerun. For

more information on this, see the Envelope

Trigger functions.

TIP: With a feedback guitar patch that uses

one Sound for the guitar and another for the

feedback, set the feedback Sound to Mono to

insure that the feedback “whistle” will be

monophonic, which more accurately mimics

what happens in reality.

Advertising
This manual is related to the following products: