Hold echo control assignments, Hold echo controls, Delay / tap bpm – Rane TTM 57SL Manual for Serato Scratch Live 2.44 User Manual

Page 46: Multiplier, Feedback, Wet / dry mix, Hold echo effect differences, Hp hold echo effect differences

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P1

Delay / Tap BPM

Once you turn

P1, the lock icon

disappears, the Multiplier number turns
white and

P1 becomes a Delay control.

Delay has a range of 1ms to 2.9 seconds,
and a track without a BPM tag will start at
500 ms. A slow turn gives 1ms adjustment
resolution, while a fast turn increases
the resolution to 200 ms per step. To get
back to the original BPM after adjusting
Delay, select a multiplier with

J1, and the

Multiplier number changes to green. A
single Tap of

P1 will resync the delay to

the BPM.

J1

Multiplier

Pressing

J1 toggles between normal

transform operation (indicator off) and
the BPM Multiplier (green indicator on).
With the green indicator lit,

J1 adjusts the

multiplier to 4, 2, 1, 3/4, 1/2, 1/4, 1/8, or
1/16. Multipliers that exceed the Delay
memory will not function and are grayed-
out in the software control panel. If BPM is
set with tapping, the multiplier is set to 1.
The multiplier is not reset when the BPM
is set via the ID3 tag, so your subsequent
tracks can stay at x4 if you wish. The
active Multiplier is shown in green text
when locked to a BPM.

P2

Feedback

Feedback is the amount of delayed signal
fed back to the delay input. Feedback
minimum to maximum is 1

1

/

3

rotations

of

P2. The Delay clears after one

circulation when Feedback is brought to
0%. The Delay clears immediately when
uninserted, but changing the insert point
does not clear the feedback loop. This
is useful for adding PGM 2 Echo to the
fading PGM 1 Echo. To clear the loop
and start a fresh Echo immediately, rapid
double-click on the insert point

B1, B2,

B3 or B4.

J2

Wet / Dry Mix

Pressing

J2 toggles between transform

operation (indicator off) and Wet / Dry
control (green indicator on). The echo
default is 50% Wet / 50% Dry.

J2 has the

same operation on all effects.

See “J2

Wet / Dry Mix” on page 44.

Hold Echo Control

Assignments

If the track has a BPM tag, the Echo
BPM is automatically set and a lock icon
appears in the Echo section. To manually
set the BPM of the Echo, tap

P1 (or the

footswitch) to the beat.

Hold Echo Effect Differences

• Feedback starts with 100% but

adjustable to 0% with

P2.

• Feedback generates as long as it is

inserted and

B6 is on.

• Delay still loops after

B6 is off. If

Feedback is set to 100% it will loop for
days. The loop will decay if Feedback is
reduced. Uninsert the Effect to stop the
loop immediately.

P2 has no second function in the Hold
Echo.

GROUP

DECK

P1

P2

J1

B1

B2

1

2

B3

B4

B5

B6

J2

PROCESSOR 1

DELAY

FEEDBACK

HP ECHO FREQ

TAP BPM

PROCESSOR 2

MULTIPLIER

PGM 1

PGM 2

AUX B

MAIN

ON

ON

INSERT POINT

CUE

EFFECT

ALL WET

MORE

DRY

ALL DRY

MORE

WET

1

3/4

1/4

8

2

1/2

16

4

P1

Delay

B1

PGM 1

B2

PGM 2

B3

AUX

B4

MAIN

PGM 1

PGM 2

AUX

MAIN

Delay is set by BPM tag.

Tap

P1

for manual BPM.

P2

Feedback

range = 0 to 100%

Echo starts to

build when effect
is inserted and

ON.

B6

on

B1

B2

B3

B4

HP Hold Echo Effect Differences

• Each delay cycle repeatedly runs

through a second-order High Pass Filter
having a set resonance of 0.7.

• Filter Cutoff Frequency is adjusted

with the second function of

P2 (green

indicator on), adjustable from 31.5 Hz to
16 kHz (9 octaves). The full sweep of the
filter is reached in 1

1

/

3

rotations.

P1

Delay

B1 PGM 1

B2 PGM 2

B3 AUX

B4 MAIN

PGM 1

PGM 2

AUX

MAIN

Delay is set by BPM tag.

Tap

P1

for manual BPM.

P2

Feedback

range = 0 to 100%

Echo starts to

build when effect

is inserted and

ON.

B6

P2

Frequency

on

B1

B2

B3

B4

HP Filter

RANE TTM 57SL MIXER FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.4.4

46

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