Citronic CL1200 User Manual

Page 6

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170.881UK User Manual

Stereo Line EQ Section

15. HIGH EQ

This control can boost or cut the high frequencies (centre 12kHz)

by ±15dB (12 o’clock position is zero)

16. HIGH-MID

This control can boost or cut the high-mid frequencies (2.5kHz)

by ±15dB (12 o’clock position is zero)

17. LOW-MID

This control can boost or cut the low-mid frequencies (250Hz)

±15dB (12 o’clock position is zero)

18. LOW

This control can boost or cut the low frequencies (centre 80Hz)

by ±15dB (12 o’clock position is zero)

Channel Routing

19. FX POST

This control governs the amount of signal from the channel routed

to the DSP effects engine. If a jack is connected to the FX SEND

connector (see 37 below), this will operate as an extra AUX output

(POST means that it is post-fader - i.e. the signal routed to AUX

SEND is also affected by the channel fader level)

20. AUX POST

This control governs the amount of signal from the channel routed

to the AUX SEND or auxiliary output to external equipment.
(POST means that it is post-fader - i.e. the signal routed to AUX

SEND is also affected by the channel fader level)

21. POST / PRE

Pressing this button in changes MON 1 and MON 2 outputs from

POST to PRE.

POST is post-fader, meaning that the signals to MON 1 and MON 2

are also affected by the channel fader level.

PRE is pre-fader, meaning that the signals to MON 1 and MON 2

are

not

affected by the channel fader level.

22. MON 1

This control governs the level of signal routed to the MON 1 OUT XLR connector.

The output can be used for monitoring or recording equipment.

23. MON 2

This control governs the level of signal routed to the MON 2 OUT XLR connector.

The output can be used for monitoring or recording equipment.

24. PAN/BAL

This control adjusts the amount of signal from the channel fed to Left or Right outputs.

This varies the point in the stereo field that the signal appears. For ST1 and ST2

channels, the PAN control is replaced with a BAL control for Left/Right balance.

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