Roland GAIA 2 37-Key Virtual Analog + Wavetable Synthesizer - Manual (Page 84)

84
Navi MFX List
41 Mod Delay (Modulation Delay)
Adds modulation to the delayed sound.
When Feedback Mode is CROSS: When Feedback Mode is NORMAL:
R out R out
L out L out
2-Band 2-Band
EQ EQ
2-Band 2-Band
EQ EQ
Balance W
Feedback
Feedback
Balance D
Balance D
L in L in
Delay Delay Modulation Modulation
Delay Delay Modulation Modulation
R in R in
Balance W
R out R out
L out L out
2-Band 2-Band
EQ EQ
2-Band 2-Band
EQ EQ
Balance W
Balance W
Feedback
Feedback
Balance D
Balance D
L in L in
Delay Delay Modulation Modulation
Delay Delay Modulation Modulation
R in R in
Parameter Value Explanation
Dly L Sync OFF, ON If this is ON, the rate synchronizes with the tempo of the rhythm.
DL.Time 1–1300 Adjusts the time until the left delay sound is heard.
DLTime Nt Note
1/64T, 1/64, 1/32T, 1/32, 1/16T, 1/32., 1/16, 1/8T, 1/16., 1/8, 1/4T, 1/8., 1/4,
1/2T, 1/4., 1/2, 1T, 1/2., 1, 2T, 1., 2
Dly R Sync OFF, ON If this is ON, the rate synchronizes with the tempo of the rhythm.
DR.Time 1–1300 Adjusts the time until the right delay sound is heard.
DRTime Nt Note
1/64T, 1/64, 1/32T, 1/32, 1/16T, 1/32., 1/16, 1/8T, 1/16., 1/8, 1/4T, 1/8., 1/4,
1/2T, 1/4., 1/2, 1T, 1/2., 1, 2T, 1., 2
Fbk Mode NORMAL, CROSS
Selects the way in which delay sound is fed back into the effect (See the
figures above).
Feedback -98–+98 [%]
Adjusts the proportion of the delay sound that is fed back into the effect
(Negative values invert the phase).
HF Damp
Adjusts the frequency above which sound fed back to the effect is filtered out. If you don’t want to
filter out any high frequencies, set this parameter to BYPASS .
200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS
[Hz]
Rate Sync OFF, ON If this is ON, the rate synchronizes with the tempo of the rhythm.
Rate 0.05–10.00 [Hz] Frequency of modulation
Rate Note Note
1/64T, 1/64, 1/32T, 1/32, 1/16T, 1/32., 1/16, 1/8T, 1/16., 1/8, 1/4T, 1/8., 1/4,
1/2T, 1/4., 1/2, 1T, 1/2., 1, 2T, 1., 2
Depth 0–127 Depth of modulation
Phase 0–180 [deg] Spatial spread of the sound
Low Gain -15–+15 [dB] Amount of boost/cut for the low-frequency range
High Gain -15–+15 [dB] Amount of boost/cut for the high-frequency range
Balance D100:0W–D0:100W Volume balance between the direct sound (D) and the delay sound (W)
Level 0–127 Output Level