Patchbay features, Line in, Insert – MACKIE CFX SERIES User Manual

Page 8: These unbalanced jacks are configured thusly

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8

PATCHBAY FEATURES

“tip”

This plug connects to one of the
mixer’s Channel Insert jacks.

“ring”

tip

ring

sleeve

SEND to processor

RETURN from processor

(TRS plug)

These unbalanced jacks are configured thusly:

Direct out with no signal interruption.

Insert only to first “click.”

Channel Insert jack

Channel Insert jack

Channel Insert jack

Direct out with signal interruption.

Insert all the way in to the second “click.”

For use as an effects loop.

(TIP = SEND to effect, RING = RETURN from effect.)

MONO PLUG

MONO PLUG

STEREO

PLUG

Tip = Send (to effects device input)
Ring = Return (from effects device output)
Sleeve = Common ground (connect shield

to all three sleeves)

Specialty “Y” cables, developed just for these

jacks, are widely available.

Besides being used for inserting external

devices, these jacks can also be used as chan-
nel direct outputs; post-

TRIM, post-LOW CUT,

and pre-

EQ. Here are three ways you can use

the channel

INSERT jacks:

MIC

1

BAL/UNBAL

LINE IN

INSERT

BAL/UNBAL

LINE IN

INSERT

BAL/UNBAL

LINE IN

INSERT

BAL/UNBAL

LINE IN

INSERT

BAL/UNBAL

LINE IN

INSERT

BAL/UNBAL

LINE IN

INSERT

BAL/UNBAL

LINE IN

INSERT

BAL/UNBAL

LINE IN

INSERT

MIC

2

MIC

3

MIC

4

MIC

5

MIC

6

MIC

7

MIC

8

At the risk of stating the obvious, this is

where you plug everything in: microphones,
line-level instruments, effects, headphones
and the ultimate destination for your sound:
PA system, tape recorder, etc.

MIC

The CFX Mixer is equipped with rugged, low

noise, phantom-powered microphone pream-
plifiers, providing up to 50 dB of crystal-clear
amplification. Their balanced circuitry rejects
all manner of extraneous interference. Profes-
sional condenser, dynamic, and ribbon mics will
all sound excellent through these XLR inputs.

You can plug in almost any kind of balanced

mic that has a standard XLR-type male mic
connector.

LINE IN

The line inputs share circuitry (but not

phantom power) with the mic preamps, and
can be driven by balanced or unbalanced
sources at almost any level. You can use these
TRS inputs for virtually any signal you’ll come
across, from –25 dBu up to +38 dBu.

INSERT

This is where you connect serial effects

such as compressors, equalizers, de-essers or
filters. The send is low-impedance (150 ohms),
capable of driving any line-level device. The re-
turn is high-impedance (10k ohms) and can be
driven by almost any device.

SHIELD

COLD

HOT

3

2

1

XLR BALANCED WIRING

SLEEVE

(SHIELD)

TRS BALANCED WIRING

TIP

(HOT)

RING

(COLD)

SLEEVE

(SHIELD)

TIP

(HOT)

TS UNBALANCED WIRING

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