Intonation key (intonakey), Digital output mode, Numeric entry – Kurzweil KSP8 TM User Manual

Page 85

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Master Mode

The Master Mode Page

Preliminary - Subject to Change

11-3

In general, you should select a nonstandard intonation table when you’re playing simple
melodies (as opposed to chords) in a particular musical style. When you use intonation tables
based on pentatonic scales, you’ll normally play pentatonic scales to most accurately reproduce
those styles.

Intonation Key (IntonaKey)

This sets the tonic, or base note from which the currently selected intonation table calculates its
intervals. If you select G as the intonation key, for example, and the intonation table you select
tunes the minor 2nd down by 50 cents, then G

#

will be a quartertone flat relative to equal

intonation. If you change the intonation key to D, then D

#

will be a quartertone flat. If you use

nonstandard intonations, you’ll want to change the intonation key as you change the key you’re
playing in. If the Intonation parameter is set to Equal, changing IntonaKey has no effect.

You can also set the intonation key from an external MIDI device. Note On events at C -1
through B -1 (MIDI note numbers 0 through 11) will set the intonation key at C through B,
respectively.

To trigger notes in the range required to set the Intonation key, you can transpose the PC3
temporarily from its front panel, or from your MIDI controller if it has the ability. Alternatively,
you could create a setup with just the lowest octave transposed down two octaves, then select it
when you want to change the Intonation key. If you’re driving your PC3 from a sequencer, you
could simply insert the appropriate note events anywhere in the sequence to change the
intonation key.

Digital Output Mode

Change this parameter to set the PC3's digital output to your preferred sample rate. Sample
rates go up to 192K and sync with external clock.

Numeric Entry

Global

means that any entry you make from the alphanumeric keypad will select the object

indicated, regardless of the bank it is in. For example, in program mode type “36” of the
alphanumeric keypad to select program 36.

If Numeric Entry is set to Bank, your selection will be limited to the currently selected bank.

11 BaliJava1

Based on the pentatonic scale of Balinese and Javanese music.

12 BaliJava2

A variation on 1Bali/Java, slightly more subtle overall.

13 BaliJava3

A more extreme variation.

14 Tibetan

Based on the Chinese pentatonic scale.

15 CarlosAlpha

Developed by Wendy Carlos, an innovator in microtonal tunings, this intonation
table flats each interval increasingly, resulting in an octave with quarter-tone
intervals.

16 Pyth/aug4

This is a Pythagorean tuning, based on the Greek pentatonic scale. The tritone
is 12 cents sharp.

17 Pyth/dim5

This is a Pythagorean tuning, based on the Greek pentatonic scale. The tritone
is 12 cents flat.

18–24

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