Wah •20, Vetta wah •20 weeper •20, Bass effects •20 – Line 6 3.7 User Manual
Page 158: Bass overdrive •20
Line 6 GearBox 3.7 – Model Gallery
8•20
products that were studied during Line 6’s sound model development.
Brite Room
Here’s the sound of a live, bright room to add life to any track.
Medium Hall
A medium sized hall with heavy reflections - this one is meant to be heard.
Cavernous
Now that’s big! Fire this verb up and get set for a long night of dandelion dreams...
Slap Plate
This reverb dishes up the vibe of early rock and roll recordings, like Sam Phillips’ great work at Sun
Studios. Thank you very much.
Wah
The GearBox Wah effects simulate classic wah pedals, and can be used to provide a “parked wah”
sound, or can be controlled via MIDI for wah pedal effects.
Vetta Wah
This is the original PODxt/Vetta Wah Model, which is a bit of a play on an old classic. We’ve made it
a nice balanced wah, designed to sound great in most any style of playing.
Weeper
Modeled after* an Arbiter® Cry Baby, this is yet another variation on the original Vox® wah design.
The biggest variation between many of these wah pedals is the inductor and the tolerances of the
capacitors and resistors that make up the filter circuit. Just like vintage guitar amps, two of them made
on the same day, by the same person, from the same parts bin might sound totally different. As always,
we went for the best examples we could find.
All product names are trademarks of their respective owners, which are in no way associated or affiliated
with Line 6. These product names, descriptions and images are provided for the sole purpose of identifying
the specific products that were studied during Line 6’s sound model development. VOX® is a registered
trademark of Korg Europe Limited. ARBITER® is a registered trademark of Arbiter Group PLC.
Bass Effects
Bass Overdrive
This model was inspired by our look at the Tech 21 Bass Sans Amp, plus a few extra liberties taken
by the Line 6 sound design team. The Sans Amp is famous for delivering a very quiet and crisp signal
under all circumstances, while also serving up a very distinct distortion. Is pleasingly metallic quality
makes it a favorite with the Post-Metal crowd and Industrial bands, and producers in all genres of
music have come to favor the Bass Sans Amp for crunching up loops. The Bass Overdrive covers the