Roland Fantom-X7 - Manual (Page 284)

284
Effects List
47: 3TAP PAN DELAY
Produces three delay sounds; center, left and right.
fig.MFX-47
48: 4TAP PAN DELAY
This effect has four delays.
fig.MFX-48a
fig.MFX-48b
Stereo location of each delay
49: MULTI TAP DELAY
This effect provides four delays. Each of the Delay Time parameters
can be set to a note length based on the selected tempo. You can also
set the panning and level of each delay sound.
fig.MFX-49
50: REVERSE DELAY
This is a reverse delay that adds a reversed and delayed sound to the
input sound. A tap delay is connected immediately after the reverse
delay.
fig.MFX-50
Parameter Value Description
Delay Left/
Right/Center 0–2600 ms,
note Adjusts the time until the delay sound
is heard.
Center
Feedback # -98– +98 % Adjusts the amount of the delay sound
that’s fed back into the effect. Negative
(-) settings invert the phase.
HF Damp 200–8000 Hz,
BYPASS Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you do not want to filter out any
high frequencies, set this parameter to
BYPASS.
Left/Right/
Center Level 0–127 Volume of each delay
Low Gain -15– +15 dB Gain of the low frequency range
High Gain -15– +15 dB Gain of the high frequency range
Balance # D100:0W–
D0:100W Volume balance between the direct
sound (D) and the delay sound (W)
Level 0–127 Output level
Parameter Value Description
Delay 1–4
Time 0–2600 ms,
note Adjusts the time until the delay sound
is heard.
Delay 1
Feedback # -98– +98 % Adjusts the amount of the delay sound
that’s fed back into the effect. Negative
(-) settings invert the phase.
HF Damp 200–8000 Hz,
BYPASS Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you do not want to filter out any
high frequencies, set this parameter to
BYPASS.
Delay 1–4
Level 0–127 Volume of each delay
Low Gain -15– +15 dB Gain of the low frequency range
High Gain -15– +15 dB Gain of the high frequency range
Balance # D100:0W–
D0:100W Volume balance between the direct
sound (D) and the delay sound (W)
Level 0–127 Output level
L in
R in
L out
R out
Left Tap
Right Tap
Triple Tap Delay
2-Band
EQ
2-Band
EQ
Balance W
Balance D
Balance W
Balance D
Feedback
Center Tap
L in
R in
L out
R out
Quadruple Tap Delay
Balance W
Balance D
Balance W
Balance D
Delay 1
Delay 2
Delay 3
Delay 4
Feedback
1
2 3
4
L R
Parameter Value Description
Delay 1–4
Time 0–2600 ms,
note Adjusts the time until Delays 1–4 are
heard.
Delay 1
Feedback # -98– +98 % Adjusts the amount of the delay sound
that’s fed back into the effect. Negative
(-) settings invert the phase.
HF Damp 200–8000 Hz,
BYPASS Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you don’t want to filter out any
the high frequencies, set this parameter
to BYPASS.
Delay 1–4
Pan L64–63R Stereo location of Delays 1–4
Delay 1–4
Level 0–127 Output level of Delays 1–4
Low Gain -15– +15 dB Gain of the low frequency range
High Gain -15– +15 dB Gain of the high frequency range
Balance # D100:0W–
D0:100W Volume balance between the direct
sound (D) and the effect sound (W)
Level 0–127 Output level
Parameter Range Explanation
Threshold 0–127 Volume at which the reverse
delay will begin to be applied
Rev Delay
Time 0–1300 ms, note Delay time from when sound
is input into the reverse delay
until the delay sound is heard
Rev Delay
Feedback # -98– +98% Proportion of the delay sound
that is to be returned to the in-
put of the reverse delay (nega-
tive values invert the phase)
Rev Delay HF
Damp 200–8000 Hz,
BYPASS Frequency at which the high-
frequency content of the re-
verse-delayed sound will be
cut (BYPASS: no cut)
Rev Delay Pan L64–63R Panning of the reverse delay
sound
Rev Delay
Level 0–127 Volume of the reverse delay
sound
Delay 1 – 3
Time 0–1300 ms, note Delay time from when sound
is input into the tap delay un-
til the delay sound is heard
L in
R in
L out
R out
Multi Tap Delay
Balance W
Balance D
Balance W
Balance D
Delay 1
Delay 3
Delay 4
Delay 2
Feed
back
2-Band
EQ
2-Band
EQ
Feedback
L in
R in
Rev. Delay
L out
R out
2-Band
EQ
2-Band
EQ
Rev
Delay
D2
D1
D3
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