Yamaha CLAVINOVA CVP-509 - Manual (Page 11)

CVP-509/505/503/501 Reference Manual 11
V
oices – Pla
ying the K
e
yboard –
2
■
CONTROLLER Page
1 CENTER PEDAL
2 LEFT PEDAL
These allow you to select the function to be assigned to the center or left pedal.
3 MODULATION
When a pedal function is assigned to MODULATION, the pedal can be used to modulate the parameters
below as well as the pitch (vibrato). Here, you can set the degree to which the pedal modulates each of the
following parameters.
[4
▲▼
]/
[5
▲▼
]
PART OCTAVE Shifts the octave range of the edited Voice up or down in octaves. When
the edited Voice is used as any of the RIGHT 1–2 parts, the R1/R2 param-
eter is available; when the edited Voice is used as the LEFT part, the
LEFT parameter is available.
[6
▲▼
] MONO/POLY Determines whether the edited Voice is played monophonically or poly-
phonically.
[7
▲▼
] PORTAMENTO
TIME Sets the portamento time (pitch transition time) when the edited Voice is
set to “MONO” above.
NOTE The Portamento Time determines the pitch transition time. Portamento is a function that creates a
smooth transition in pitch from the first note played on the keyboard to the next.
[1
▲▼
] FUNCTION Selects the function to be assigned to the center or left pedal. For details
on the pedal functions, see
page 86 .
[2
▲▼
]–
[8
▲▼
]
RIGHT 1,
RIGHT 2, LEFT,
etc. Determines whether the assigned function is effective or not for the
respective keyboard part. This also determines the depth for the function.
For details, see
page 86 .
[2
▲▼
] FILTER Determines the degree to which the pedal modulates the Filter Cutoff Fre-
quency. For details about the filter, see below.
[3
▲▼
] AMPLITUDE Determines the degree to which the pedal modulates the amplitude (vol-
ume).
[5
▲▼
] LFO PMOD Determines the degree to which the pedal modulates the pitch, or the
vibrato effect.
[6
▲▼
] LFO FMOD Determines the degree to which the pedal modulates the Filter modula-
tion, or the wah effect.
[7
▲▼
] LFO AMOD Determines the degree to which the pedal modulates the amplitude, or the
tremolo effect.