Live mode programs, Usage notes, Some ideas for using live mode – ALESIS K2661 User Manual

Page 203: Pitch changing

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Sampling and Live Mode

Live Mode

14-11

Live Mode Programs

Live mode also includes two Live mode keymaps at 197 and 198 (Left and Right respectively).

Usage Notes

To use the programs, you must hold down a key (C 4, unless you’re going for a special effect) for
the inputs to run through VAST. An alternative way to trigger the sound is to edit the control
setup found in the MIDI-mode TRANSMIT page. For example, on the SWITCH page in the
Setup Editor, you could set the switch type (SwType) to note toggle (Note T), and set the
destination (Dest) to C 4. This allows you to turn the program on and off via a button press, and
keeps sound sustaining while the button is on. Keep in mind that if you change the Live mode
program, you need to restrike a key (or button) for the signal to go through that program.

You can also edit the Live mode keymap to ignore release if you want to use the keyboard to
activate Live mode.

You cannot sample and use Live mode together, the two functions use the same components.

Some Ideas for Using Live Mode

If you’ve ever used an old-fashioned mono analog synthesizer with an audio input (anything
from a Moog Rogue to an ARP 2500 or Serge Modular), you know how much fun it can be to
pass a musical signal through the synth and modify it in real time with the filters, envelopes,
modulators, etc. Live mode brings that concept to digital synthesis, and lets you use all of the
power of the K2661 on any kind of input signal.

For starters, you can simply hook up a CD player to one of the K2661’s sampling inputs, get a
bunch of your favorite CDs, and start fooling around. (A turntable works well too.) Here are
some ideas for going further:

Pitch Changing

Unlike an analog synthesizer, the K2661 makes it possible to alter the pitch of the incoming
signal in real time. But the K2661 is not a conventional pitch shifter, so if you are used to
working with such a device you will have to alter your thinking a little.

For example, when you bend the pitch down from the unity pitch (C 4), using a VAST function,
it slows the playback of the incoming signal, but it doesn’t change the rate at which the signal is
coming in—your CD is still spinning, and putting out a constant audio signal. So as you lower

ID

Program Name

740

LM VirtualDesk 1

741

LM VirtualDesk 2

742

LM EQ Room Hall

743

LM TubeAmp_ Gtr

744

LM Synth Sliders

745

LM EQ StIm Hall

746

LM ParaFlange

747

LM EQ Overload

748

LM Filters

749

LiveMode Default

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