Allen&Heath ZED-R16 - Manual (Page 39)

Allen & Heath 39 ZED-R16 User Guide
MIC
INSERT
LINE
48V
1
IN
-15 +15
60 40 -14 6
30 40
50
0
20
GAIN
HPF
100Hz
HM
0.8 6 2k
700
400Hz
1k
6k
18k
4k
-15 +15
Q
F
G
LM
0.8 6 120
30
18Hz
60
600
1k
300
-15 +15
Q
F
G
-15
LF
+15
80Hz
HF
12k
EQ IN
+6
AUX1
PRE
O O
+6
AUX2
PRE
O O
+6
AUX3
POST
O O
+6
AUX4
POST
O O
PAN
L R
=
MUTE
PFL
HI
SIG
L-R
Post-EQ
5
5
0
O O
10
DIG RET
DIG RET
Pre-INS
Post-EQ
FADER
=MIDI
10
DIG SND
1
1
1
MODES OF OPERATION
ADC
DIGITAL SIGNAL
(FIREWIRE OR ADAT)
PRESS DIG RETURN = PRE-INSERT
ANALOGUE MIX
The analogue signal from the pre-amp is sent to FireWire or ADAT.
Could be used for overdubbing the recorded track.
DAC
ANALOGUE MIXDOWN FROM DIGITAL SOURCE
Here, the digital inputs to the channels are selected to go to the channel just before the insert point (replacing the
signal from the pre-amp). This mode allows for analogue mixing from a multi-track digital source using the simply
gorgeous analogue EQ on the ZED-R16.
It is also a great mode to use when overdubbing tracks, using the digital inputs for monitor & foldback purposes
whilst using the PRE-INSert digital send to do the overdub recording.
Play the multitrack from the DAW or an ADAT
machine to the ZED-R16 and mix in analogue
as you would do with a traditional 16 track
tape machine.
Digital input from FireWire
or ADAT is converted to
analogue and sent to the
channel path before the EQ
at the channel insert point.
This replaces the signal
from the pre-amp.