Sound Devices 722 - Manual (Page 64)

722 User Guide and Technical Information
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v. 2.67 Features and specifications are subject to change. Visit www.sounddevices.com for the latest documentation.
# Setup Name Setup Description Setup Options
10 Rec: Take Reset Mode Defines when take numbers are reset. Reset brings
take number to <1>.
• Never
- take numbers do not reset
• When scene is changed
- take resets when scene name is changed
• When daily folder changes
- takes reset on new day
• Either scene or daily
- takes reset on either change
11 Rec: Pre-Roll Time Selects the amount of pre-roll time the 722 will add to
the beginning of each file.
0–10 sec. @ 48 kHz
0–5 sec. @ 88.2–96.096 kHz
0–2 sec. @ >96.096–192 kHz
12 Rec: Dither Selects whether to dither is added to 24 bit digital
signals while recording 16 bit files.
• Off
• On (16 bit only)
13 Rec: Timer Start Sets a specific start time/date for unattended record-
ing. Unit must be powered.
<enter time, date>
14 Rec: Timer Stop Set a specific time/date to stop recording. May be
used with or without the Rec: Timer Start. May be set
before the Timer Start time to temporarily stop record-
ing and then resume recording with Timer Start.
<enter time, date>
15 Rec: Record Indicator Sets how the large display looks when the unit enters
record.
• Normal Numbers
• Reverse Numbers
• Flash Numbers
16 Rec: Record Pause Allows a recording to be stopped then continued
without creating a new take or file. Time Counter Mode
must be set to Off to enable Record Pause.
• Disabled
• Enabled
17 Input: Routing Allows the user to setup their routing matrix among all
available inputs and tracks. There are preset routings
and three custom routings available. Pressing the
input select key repeatedly will cycle through all preset
routings.
Primarily accessible from the Input Select Key.
• 1  A
• 1  A / 2  B
• 1  A / 1  B
• 1  A,B / 2  A,B
• Custom Route 1
• Custom Route 2
• Custom Route 3
18
19
Input 1: 48V Phantom
Input 2: 48V Phantom
Enables or disables 48 V phantom power on inputs 1
and 2.
• Off
• On - Mic
• On - Mic and Line
20 Mic Inputs: Limiter Enables or disables the analog input limiter on input 1
and 2 mic preamps.
• Disabled
• Enabled
21
22
Mic Input 1: Low Cut
Mic Input 2: Low Cut
Enables the high-pass (low cut) filter to reduce sensi-
tivity to low frequencies.
• Disabled
• Enabled
23
24
Mic Input 1: Low Cut Freq
Mic Input 2: Low Cut Freq
Selection of twelve high-pass filter frequency and
slope combinations for microphone inputs.
• 40, • 80, • 160, • 240 Hz @ 12 dB/oct
• 40, • 80, • 160, • 240 Hz @ 18 dB/oct
• 40, • 80, • 160, • 240 Hz @ 24 dB/oct
25
26
Mic Input 1: Gain Range
Mic Input 2: Gain Range
Selects the sensitivity of the microphone input. Low
sensitivity is used for very loud and/or very hot
microphones.
• Normal
• Low
• Normal, fades to off
• Low, fades to off
27 Input 1, 2: Source Forces the inputs to analog or digital mode. • Auto-select
• Analog
• Digital (S/PDIF/AES)
• Disabled (Power Save)
28 Input 1,2: Linking, MS Selects whether the input 1 & 2 levels are controlled
independently or grouped as a pair with or without
mid-side decoding.
• Unlinked
Inputs 1 and 2 operate independently
• Linked 1/2
Inputs are linked, channel 1 pot controls level,
channel 2 pot controls pan
• Linked 1/2 and MS
Inputs are linked, channel. 1 pot controls level,
channel. 2 pot controls pan and are decoded for
MS stereo.