Flange dist, Chorus dist, Distortion levei (distortion): 0 — 100 – Yamaha GEP50 User Manual

Page 15: Fiange baiance (flange bal): 0 — 100, Chorus baiance (chorus bal): 0 — 100, Moduiation frequency (mod. fro): 0.1 hz — 20 hz, Moduiation depth (mod. depth): 0% — 100, Feedback gain (f.b. gain): 0% — 99, Trigger levei (trg. level): 1 — 100, Deiay moduiation depth (dm depth): 0% — 100

Attention! The text in this document has been recognized automatically. To view the original document, you can use the "Original mode".

Advertising
background image

21. Flange Dist.

22. Chorus Dist.

Flange plus distortion.

Chorus plus distortion.

Distortion Levei (DiSTORTiON): 0 — 100%

Sets the “degree” or “depth” of the distortion portion of the

effect.

Fiange Baiance (FLANGE BAL): 0

100%

Determines the amount of flange effect applied to the distor­

tion sound.

Distortion Levei (DiSTORTiON): 0 — 100%

Sets the “degree” or “depth” of the distortion portion of the
effect.

Chorus Baiance (CHORUS BAL): 0

100%

Determines the amount of chorus effect applied to the

distortion sound.

Moduiation Frequency (MOD. FRO): 0.1 Hz — 20 Hz

Sets the speed of modulation, and hence the rate at which
the effect varies.

Moduiation Depth (MOD. DEPTH): 0%

100%

Sets the amount of delay time variation, thus adjusting the
depth of the effect.

Modulation Deiay (MOD. DLY): 0.1 — 100 miiiisec-
onds

This sets the basic delay time from the initial direct sound to

the beginning of the flange effect.

Feedback Gain (F.B. GAiN): 0%

99%

Determines the amount of flange signal which is fed back to

the input of the processor for further modulation. More

feedback increases the overall complexity, “strength” and

decay time of the effect.

Trigger Levei (TRG. LEVEL): 1 — 100

Determines the amplitude of the input signal required to

trigger the effect. This parameter, in conjunction with the

RELEASE parameter below, functions effectively as a noise

gate to cut out hiss and noise when an input signal is not

present. TRG LEVEL should be set so that the effect is

activated only when a note is played on the instrument

used.

Moduiation Frequency (MOD. FRO): 0.1 Hz

20 Hz

Sets the speed of chorus effect variation.

Deiay Moduiation Depth (DM DEPTH): 0% — 100%

This sets the depth or “strength” of the chorus effect.

Amplitude Moduiation Depth (AM DEPTH): 0%

100

%

Sets the amount by which the amplitude (level) of the input

signal is varied.

Trigger Levei (TRG. LEVEL): 1 — 100

Determines the amplitude of the input signal required to

trigger the effect. This parameter, in conjunction with the

RELEASE parameter below, functions effectively as a noise

gate to cut out hiss and noise when an input signal is not

present. TRG LEVEL should be set so that the effect is

activated only when a note is played on the instrument

used.

Release Time (RELEASE): 5

32000 miiiiseconds

Determines the amount of time it takes for the distortion

gate to close after the input signal drops below the trigger

level. Proper setting of the RELEASE parameter is essential

to allow a natural decay of the source instrument sound.

Reiease Time (RELEASE): 5 — 32000 miiiiseconds

Determines the amount of time it takes for the distortion

gate to close after the input signal drops below the trigger

level. Proper setting of the RELEASE parameter is essential

to allow a natural decay of the source instrument sound.

16

Advertising