Audio Damage Ronin - Manual (Page 34)

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The Wet and Dry level controls are set to the same value so that the delayed signals are as loud as the
original signal. The Pan positions are set to the left and right to give the delayed signals balanced stereo
placement without extreme panning.
Here’s the tricky part: the output of the envelope follower is connected to both output Level modulation
destinations. The depth controls for both of these destinations are at their lowermost positions. This means
that the modulation signal from the envelope generator is inverted before being applied to the output levels,
which means that as the input signal gets louder, the output levels will be decreased.
Set up your host program to play a few bars of a drum pattern or other fairly dense musical passage through
Ronin. As the music plays you will hear little if any delayed signal. When the input signal stops, you’ll hear the
delayed signal fade in. The length of time it takes for the delayed signal to fade in is determined by the
envelope follower’s decal slider. Try lowering the slider to hear the delayed signal fade in more rapidly.