TL Audio 5051 - Manual (Page 23)

9. Engage the EQ section and experiment with applying some EQ. You
should find that the LF & HF bands are useful for adding some low end
‘warmth’ and high end ‘air’, while the mid bands are more useful at
removing ‘boxiness’ or nasal tones from mic sources. Unlike other
EQ’s, you should find that you can apply quite drastic amounts of EQ
boost and the unit will still retain its musicality – and not introduce
unwanted harshness.
6. SPECIFICATIONS
Microphone Input:
Gain range +16dB to +60dB,
Noise -127dBu (EIN with 150 ohm source,
22Hz - 22KHz and maximum gain),
Switchable 30dB pad,
Maximum input level +4dBu (+30dBu with pad).
Phantom Power:
+48V at 10mA maximum.
Line Inputs:
Balanced XLR, switchable +4dBu/+18dBu nominal
level.
Unbalanced jack, switchable -10dBu/+4dBu
nominal.
Gain range +/-20dB.
Maximum input level +26dBu.
Instrument Input:
Via front panel 0.25” jack socket,
Input Impedance 1Mohm,
Gain range -2dB to +38dB,
Maximum input level +10dBu.
High Pass Filter:
-3dB at 90Hz, 12dB per octave,
Active on all inputs.
Outputs:
Balanced XLR, nominal level +4dBu,