Ashly Electronic Amplifier none User Manual

Page 23

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Beyond

these

basic

classifications

of

filter

types,

the

audio

designer

is

concerned with the details of filter performance near and within the cutoff or
stopband. In other words, we'll assume that a filter is fairly linear within
its pass-band

(for example, the flat or "plateau" portion of the low-pass

response shown in figure 22(a), but how does it behave as frequencies approach
the cutoff frequency? And, once the filter is operating in its cutoff range,
how quickly does it attenuate those undesired frequencies? Filters are not
brick walls; they will always pass frequencies outside their pass band to some
extent.

SLOPE

The

rate

at

which

a

filter

attenuates

frequencies

outside

its

passband

is

known as the slope, and is generally expressed in decibels of change per
octave. For example, if a low-pass filter has a 12dB/octave slope, then any

frequencies outside its pass band will be reduced in volume by an additional
12dB for each octave above the cutoff frequency. If the low-pass filter has a

cutoff frequency of IkHz, then a 2kHz signal can be expected to be reduced in

volume by 12dB. Likewise, a 4kHz signal will be reduced by 24dB, and an 8kHz

signal will be 36dB down.

The

slope

of

a

filter

is

a

function

of

the

number

of

frequency-reactive

components within the filter. Avery gentle slope, such as would be found in
a 6dB/octave passive filter, might contain only one such component in the form

of a capacitor connected from the audio to ground, as shown in figure 23. A
capacitor

passes

high

frequencies

very

well

while

blocking

low

frequencies.

Therefore, any high frequency audio will be shorted to ground and not heard at
the

output.

This

type

of

filter

is

called

a

first-order

filter.

It

is

not

terribly useful for crossovers because of its gentle slope; it won't provide

much protection to high-frequency drivers when used in its high-pass version.

(a)

(b)

Figure 23 Passive RC first order low-pass filter and response.

High frequency loudspeakers will be better protected by a steeper slope, which

can be obtained with a second-order filter such as the passive LC second-order

filter shown in figure 24. Here, there are two frequency-reactive components:
a capacitor (C), which easily passes high frequencies, and an inductor (L),
which easily passes low frequencies. The slope will be 12dB/octave.

22

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