Ashly Electronic Amplifier none User Manual

Page 32

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SUMMARY

The ultimate goal of a sound system is the faithful reproduction of music and

speech without additional coloration. Having departed from the ideal single­
speaker approch, we now have a number of variables which will influence the

overall

sound,

including

the

crossover,

amplifiers,

time

and

phase

errors

which

result

from

having

spatially

displaced

drivers,

and

the

individual

personalities

of

various

kinds

of

speakers

reproducing

overlapping

frequencies; an aluminum diaphram compression driver coupled to a fiberglass
horn will sound different than a paper cone woofer, even though both may be
reproducing the same frequency. Also, each speaker can be expected to have
significant

variations

in

its

frequency

response,

even

within

its

flattest

range. The summed acoustic response of a loudspeaker system therefore becomes

a function of the crossover, the amplifiers, the loudspeakers, and the room in

which it's all used. Of these, the loudspeakers and room acoustics remain, by
far, the greatest sources of error in typical installations.

We have given rough guidelines for setting up multiple loudspeakers, but

sometimes

even

the

most

minimal

attempts

at

speaker

alignment

will

be

difficult

to

implement.

For

example,

in

a

touring

sound

system,

first

consideration may have to be given to setting up the speaker stack in such a
way that it doesn't fall over or get in the way of a lighting truss, rather
than to optimum phase alignment. It's worthwhile to keep a sense of humor
when theorizing about the "perfect" speaker installation; the variables can be

overwhelini ng.

There is no "best" approach to sound reproduction, since every application

demands something unique from a system. A two-way passive system can sound
great, and a 7-way multiamplified system can also sound great. It's probably
true, however, that an unskilled operator can create more havoc with a complex
system than with a simple one, so the value of simplicity should not be

di smissed.

Just as there is no single best approach to sound reinforcement, there is no

single

best

crossover

characteristic

which

is

best

for

all

applications.

A

parametric-type

crossover,

offering

control

of

crossover

frequency,

filter

damping, and output levels, ensures enough flexibility to meet changing system
requi rements.

31

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