Two Notes Reload - Manual (Page 37)

Using Torpedo Wall of Sound
• Overload: A loudspeaker is essentially a system designed to faithfully reproduce the sound trans-
mitted by the amplifier. However, a loudspeaker does have some particular audio properties of
its own, including some that depend on the level of power applied. The "Overload" parame-
ter reproduces the natural saturation that occurs when the loudspeaker is driven too hard. At
maximum value, you get the sound of a loudspeaker coming close to destruction.
• Dry/Wet: Combine the dry, unprocessed sound, with the simulated one. This parameter is par-
ticularly interesting on clean sounds, or to search for new and original tones.
10 EQ
This is a simple yet powerful 5-band EQ. Shift the band frequencies by changing the mode (guitar or
bass) so as to focus on the signal frequencies pertinent for the corresponding instrument.
• EQ Mode: Off, Guitar or Bass. Please refer to the following table for refer-
ences between the band and the cut frequencies in each mode.
• Low, LMid, Mid, HMid, High: band frequencies, from lowest to highest.
Band Guitar Mode Bass Mode
Low (shelf) 120Hz 50Hz
LMid (peak) 360Hz 120Hz
Mid (peak) 800Hz 360Hz
HMid (peak) 2000Hz 800Hz
High (shelf) 6000Hz 4000Hz
11 Exciter
An exciter is very useful to give a sound a certain character, or to add presence, or "air", in the sound.
The integrated exciter will allow you to add such features to your tone.
• Exciter: Switch the exciter ON or OFF.
• Gain: Control the amount of effect applied to the sound.
• Freq: Control the center frequency of the exciter. For example, presence
for guitar is usually found at 2 or 3 kHz. Air can be added by placing this
frequency at 6 or 8 kHz.
Two Notes Audio Engineering Torpedo Reload 37