Chapter 12: transparency, opacity, and compositing, Compositing overview and resources, Compositing overview – Adobe After Effects CS4 User Manual

Page 379: Online resources for compositing, Transparency, opacity, and compositing

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Last updated 12/21/2009

Chapter 12: Transparency, opacity, and
compositing

Compositing overview and resources

More Help topics

“

Rotoscoping introduction and resources

” on page 322

“

Keying introduction and resources

” on page 383

“

About masks

” on page 375

“

Track mattes and traveling mattes

” on page 380

“

Drawing, painting, and paths

” on page 296

“

Preserve underlying transparency during compositing

” on page 382

“

Blending modes and layer styles

” on page 171

“

Channel effects

” on page 447

Compositing overview

To create a composite from multiple images, you can make parts of one or more of the images transparent so that other
images can show through. You can make portions of a layer transparent using any of several features in After Effects,
including the following:

•

masks

•

mattes

•

painting on the alpha channel

•

the Preserve Underlying Transparency layer option

•

keying effects

To make an entire layer uniformly transparent or semi-transparent, modify its Opacity property.

Layers can also be composited together without modifying the transparency of the layers themselves. For example, you
can use blending modes or some of the Channel effects to blend image data from multiple layers into a composite.

Adobe Photoshop is an excellent application for performing many compositing tasks, including defining areas of
transparency using its superior selection and painting tools. You can use Adobe Photoshop together with After Effects
for optimum efficiency and best results when doing compositing work.

Online resources for compositing

Aharon Rabinowitz provides an introduction to compositing, “What is Compositing?”—part of the

Multimedia 101

series

on the Creative COW website.

Mark Christiansen provides a detailed overview of compositing—covering masks, mattes, blending modes, and alpha
channels—in a chapter from his After Effects Studio Techniques book posted on the

Adobe Press website

.

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