Teac 788 Addendum - Manual

TASCAM 788 — Additions and corrections
Since the printing of the manual for the 788, it has been found necessary to make a number of
small corrections to the manual. This sheet summarizes these corrections.
We strongly suggest that you keep this sheet with the original documentation for reference, and if
necessary, amend the relevant parts of the original manual.
We apologize sincerely for any inconvenience this may cause.
Section and page
number
From the manual… Replace with or insert… Explanation
“Copying songs” on page 29 1
When all the songs to be copied
have been marked, press the
ENTER key. A list of all the
currently-available drives and
partitions is shown.
2
Use the dial to select the drive
or partition to which the selec-
tion will be copied and press
ENTER .
1
When all the songs to be copied
have been marked, press the
ENTER key. A list of all the
currently-available disks and
partitions is shown.
2
Use the dial to select the disk
or partition to which the selec-
tion will be copied and press
ENTER .
The 788 shows the
disks, rather than the
drives, connected to the
unit.
Note to “Formatting a disk”
on page 32 Disks in the list are identified by their
SCSI ID numbers (from 0 through 6; ID
7 is reserved for the788’s internal con-
troller). If the disks are divided into parti-
tions, the partitions are listed as
Part1 , Part2 , etc.
Disks in the list are identified by their
SCSI ID numbers (from 0 through 6; ID
7 is reserved for the788’s internal
controller). Partitions are only listed
after a disk has been
formatted and appear
when a disk or partition
is to be selected.
“Assigning sources to mixer
channels.” on page 36 To assign an input source ( INPUT s A
through D , the AUX INPUTS , the
recorded TRACK s, the STEREO mix
or the SUB MIX) to a mixer channel:
To assign an input source ( INPUT s A
through D , the AUX INPUTS , the
recorded TRACK s, or the STEREO
mix to a mixer channel:
The SUB MIX cannot
be assigned to a mixer
channel, but can be
assigned to the stereo
outputs.
“SSA (Slow Speed Audition)”
on page 59 —
NOTE
NOTE
It is not possible to record while the SSA
mode is active.
—
“Direct location (ii)” on
page 61 (step 5). If you increase the “beats” value past
the maximum number of beats on a
bar at that point in the tempo map,
the number will “wrap round”; that
is, the “bars” value will increase by
one, and the “beats” value will be set
to
0 .
If you increase the “beats” value past
the maximum number of beats on a
bar at that point in the tempo map,
the number will “wrap round”; that
is, the “bars” value will increase by
one, and the “beats” value will be set
to
01 .
There is no beat 0 in a
bar—counting therefore
starts at 01.
“Using EFFECT 1 as a single
stereo effect processor in the
effect loop” on page 82
NOTE
You can reverse this order of making the
settings (press and hold the
SEND key,
and then press the EFFECT 1 key).
NOTE
You can reverse this order of making the
settings (press and hold the
EFFECT
1 key, and then press the SEND key).
—
“Send levels, etc.” on
page 83 (note) The pan controls change to a centered
mono pan.
When two channels are unlinked, the
stereo pan control changes back to
mono pan controls, which are panned
hard left (odd-numbered channels) and
hard right (even-numbered channels).
The pan controls change to a stereo
pan control.
When two channels are unlinked, the
stereo pan control changes back to
mono pan controls, which retain the ste-
reo pan settings.
—
“CHORUS” on page 89 (FB
DELAY) The time between the original and the
delayed signal The time between repeats. —
“Synchronization master/
slave setting on the 788” on
page 96 —
NOTE
The jog and repeat functions are dis-
abled when the 788 is in timecode slave
mode.
—
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