Sony PCM-R700 - Manual (Page 14)

3-859-278-12(1)
Advanced Recording Operations
13 EN
REC MODE
AUTO
MIN MAX
OFF WIRED WIRELESS REMOTE
POWER
Ø ON ø OFF
PHONE LEVEL
PHONES
• • • • • • • • • • •
RENUMBER
REHEARSAL
REHEARSAL
WRITE
WRITE
ERASE
ERASE
REPEAT
SKIP PLAY
LOCATE
MODE
COUNTER RESET
MARGIN RESET
PREVIOUS AMS
=
OPEN/CLOSE
6
NEXT +
STOP
p
REW 0
PLAY
(
FF )
PAUSE
P
REC MUTE R
REC
r
MENU
DATA SHUTTLE
CH-1(L) r
SET
MARK
0 10
ANALOG DIGITAL INPUT
REC LEVEL • • • • • • • • • • •
OFF ON SBM
UNBALANCE BALANCE ANALOG INPUT
STANDARD
48k 44.1k
LONG REC MODE
CH-2(R)
0 10
• • • • • • • • • • •
START ID
SKIP ID
Setting the Recording Mode
You can select between two recording modes, standard
or long, in the following cases.
• When recording an analog input signal with the
INPUT switch set to ANALOG
• When recording a digital input signal with a
sampling frequency of 32 kHz with the INPUT
switch set to DIGITAL
Set REC MODE to select the recording mode.
The following table shows the selectable recording
modes and corresponding REC MODE position and
sampling frequency for various input signals.
Digital (44.1kHz)
Input signal REC MODE
position Recording mode
Analog
STANDARD
(44.1k) Standard play
(44.1kHz)
LONG Long play (32kHz)
Digital (32kHz) Standard play
(32kHz) STANDARD
(48k)
STANDARD
(44.1k) Standard play
(32kHz)
Long play (32kHz) LONG
STANDARD
(48k) Standard play
(44.1kHz)
STANDARD
(44.1k) Standard play
(44.1kHz)
LONG Standard play
(44.1kHz)
STANDARD
(48k) Standard play
(48kHz) Digital (48kHz)
LONG Standard play
(48kHz)
STANDARD
(44.1k) Standard play
(48kHz)
STANDARD
(48k) Standard play
(48kHz)
The recording time in long-play mode (the REC MODE
switch set to LONG) is twice as long as standard-play
mode.
z The counter in long-play mode
The displayed tape running time, absolute time and
remaining time on the tape are for standard-play mode.
Double the time to obtain the corresponding times for
long-play mode.
Note
Do not change the INPUT or REC MODE setting while
recording. This may cause an error in the “PGM TIME”
display.
Using the SBM (Super Bit
Mapping) Function
The SBM function uses the principles of human
hearing and noise-shaping technology to reduce
quantizing noise within the frequency band.
You can use the SBM function to record on analog
input signal only when the INPUT switch is set to
ANALOG and the REC MODE switch to STANDARD
(either 48kHz or 44.1kHz).
SBM
AUTO
MIN MAX
OFF WIRED WIRELESS REMOTE
POWER
Ø ON ø OFF
PHONE LEVEL
PHONES
• • • • • • • • • • •
RENUMBER
REHEARSAL
REHEARSAL
WRITE
WRITE
ERASE
ERASE
REPEAT
SKIP PLAY
LOCATE
MODE
COUNTER RESET
MARGIN RESET
PREVIOUS AMS
=
OPEN/CLOSE
6
NEXT +
STOP
p
REW 0
PLAY
(
FF )
PAUSE
P
REC MUTE R
REC
r
MENU
DATA SHUTTLE
CH-1(L) r
SET
MARK
0 10
ANALOG DIGITAL INPUT
REC LEVEL • • • • • • • • • • •
OFF ON SBM
UNBALANCE BALANCE ANALOG INPUT
STANDARD
48k 44.1k
LONG REC MODE
CH-2(R)
0 10
• • • • • • • • • • •
START ID
SKIP ID
Set SBM to ON.
“SBM” appears in the display during recording using
the SBM function.
Note
The SBM function operates only during recording. The
improved sound produced by the SBM function, however,
can be enjoyed during playback, regardless of the SBM
switch position or the DAT deck being used.