Sony DHC-FL5D - Manual (Page 50)

50 GB
2 channel decoding modes
Pro Logic II only works with 2.1CH (digital)
and 2CH sources. All other sources receive Pro
Logic decoding.
• PRO LOGIC
Performs Pro Logic decoding. The source
recorded in 2 channel is decoded into 4.1
channels.
• PL II MOVIE
Performs Pro Logic II movie mode decoding.
This setting is ideal for movies encoded in
Dolby Surround. In Addition, this mode can
reproduce sound in 5.1 channel when watching
videos of overdubbed or old movies.
• PL II MUSIC
Performs the Pro Logic II music mode
decoding. This setting is ideal for normal stereo
sources such as CDs.
Adjusting the sound
effects
Before operation, first select the sound effect
you want for your basic sound.
1
On the remote, press DSP EDIT
repeatedly while pressing SHIFT.
Each time you press the button, the display
changes cyclically as follows:
DSP EDIT* (to adjust DSP) t EQ EDIT
(to adjust equalizer)
* This menu does not appear depending on the
audio effect.
2
Use the digipad to adjust the
parameters.
The parameter is adjusted according to the
curve your finger slides on the digipad.
Adjustable parameters are described on this
page. After the curve your finger slides is
displayed for a while, then the curve
automatically adjusted by the unit is
displayed. For DSP EDIT, the adjustable
parameters vary depending on the preset
effect.
3
Press ENTER on the remote.
To cancel
On the remote, press EFFECT repeatedly while
pressing SHIFT to select “EFFECT OFF”. The
adjustment for the selected parameter is
canceled.
Adjustable parameters
Menu Right/Left Up/Down
(X) (Y)
DSP EDIT (See the chart below)
EQ EDIT Frequency Level
Adjustable DSP parameters
Sound effect Right/Left Up/Down
options (X) (Y)
LIVE HOUSE Time Wall type
HALL Time Wall type
S.ENHANCE Time Level
RADIO SOUND Time Level
C.ST.EX A Level —
C.ST.EX B Level —
C.ST.EX C Level —
NORMAL SURR — —
ARCADE Time Level
RACING Shape —
ADVENTURE Frequency Level
BATTLE Time Wall type
PAN Position Position
FLANGER Frequency Level
KEY CONTROL Key Time
EXCITER Frequency Level
COMPRESSOR Time Level
REVERB Time Wall type
EARLY RFLC. Shape —
Wall type: This parameter lets you control the level of
the high frequencies to alter the sonic character of
your listening environment by simulating a softer or
harder wall.
Position: This parameter lets you control the position
where the sound comes from.
Tips
• You can use the cursor buttons ( V/v/B/b) on the
remote instead of the digipad.
• You can store the adjusted effect in a personal file
(see “Creating a personal sound effect file” on page
51).
Enjoying Dolby Pro Logic II (DHC-FL7D
only) or Dolby Pro Logic (continued)