KORG Electronic Keyboard User Manual
Parameter guide
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Table of contents
Document Outline
- Contents
- Program mode: HD-1
- HD-1 Overview
- Program P0: Play
- 0-1: Main
- 0-6: KARMA GE
- 0-7: Controller View/Effect
- 0-8: Audio Input/Sampling
- 0-9: Control Surface
- Control Assign Switches and Tabs
- Front-panel LEDs for sliders and knobs
- Jump/Catch
- Reset Controls
- 0-9a: Program Select & Tempo
- 0-9b: OSC 1/2
- 0-9c: Audio Inputs
- 0-9d: External
- 0-9e: RT/KARMA (Real Time Knobs/KARMA)
- 0-9f: Tone Adjust
- Common Tone Adjust Parameters
- HD-1 Tone Adjust Parameters
- Default Tone Adjust Settings
- Program P1: Basic/Vector
- Program P2: OSC/Pitch
- Program P3: Filter
- Program P4: Amp/EQ
- Program P5: LFO
- Program P6: AMS Mixer/Common Key Track
- Program P7: KARMA
- Program P8: Insert Effect
- Program P9: Master/Total Effect
- Program: Page Menu Commands
- ENTER + 0-9: shortcuts for menu commands
- Write Program
- Exclusive Solo
- Auto Assign KARMA RTC Name
- Optimize RAM
- Select Sample No.
- Select Directory
- Auto Sampling Setup
- Copy Tone Adjust
- Reset Tone Adjust
- Copy Oscillator
- Swap Oscillator
- Copy Vector Envelope
- Copy Pad Setup
- Sample Parameters
- Sync Both EGs
- Swap LFO 1&2
- Copy KARMA Module
- Initialize KARMA Module
- Copy Scene
- Swap Scene
- Capture Random Seed
- Copy Insert Effect
- Swap Insert Effect
- Insert IFX Slot
- Cut IFX Slot
- Clean Up IFX Routings
- Copy MFX/TFX
- Swap MFX/TFX
- Write FX Preset
- Program mode: EXi
- EXi: AL-1 Analog Synthesizer
- AL-1 Overview
- EXi Program P0: Play
- Program P4: OSC Pitch
- Program P5: Filter
- Program P6: Amp
- Program P7: EG 1-4
- Program P8: Step Seq/LFO
- Program P9: AMS Mixer
- Tone Adjust
- EXi AL-1: Page Menu Commands
- EXi: CX-3 Tonewheel Organ
- EXi: STR-1 Plucked String
- STR-1 Overview
- EXi Program P0: Play
- Program P4: String
- Program P5: Filter
- Program P6: Amp
- Program P7: EG 1-4
- Program P8: LFO 1-4
- Program P9: AMS Mixers and String Track
- STR-1 Tone Adjust
- EXi: MS-20EX
- MS-20EX Overview
- EXi Program P0: Play
- Program P4: Oscillators & Filters
- Program P5: MG, EG, & Modulation
- Program P6: Patch Panel
- 6-1: Patch Panel
- Using the Patch Panel
- Patch Panel modifications
- Tip: Creating self-triggering patches
- 6-1a: VCOs 1 and 2
- 6-1b: HPF and LPF
- 6-1c: VCA, VOLUME, and outputs
- 6-1d: MODULATION GENERATOR and SAMPLE & HOLD
- 6-1e: ENVELOPE GENERATORS 1 and 2
- 6-1f: Modulation VCA (MVCA)
- 6-1g: NOISE GENERATOR
- 6-1h: Mod Wheel and Mod Switch
- 6-1i: Keyboard Trigger and CV outputs
- 6-1j: MIXERS 1 and 2
- 6-1k: EXTERNAL SIGNAL PROCESSOR (ESP)
- 6-1l: Parameter Details
- 6-1: Patch Panel
- Program P7: EG 3-6
- Program P8: LFO 1-4
- Program P9: AMS Mixers
- MS-20EX Tone Adjust
- EXi: PolysixEX
- Combination mode
- Combination P0: Play
- Combination P1: EQ/Vector/Controller
- Combination P2: Timbre Parameters
- Combination P3: MIDI Filter/Zones
- Combination P7: KARMA
- Combination P8: Insert Effect
- Combination P9: Master/Total Effect
- Combination: Page Menu Commands
- ENTER + 0-9: shortcuts for menu commands
- Write Combination
- Exclusive Solo
- Copy From Program
- Optimize RAM
- Select Sample No.
- Select Directory
- Auto Sampling Setup
- Copy Tone Adjust
- Reset Tone Adjust
- Show EQ Graphic
- Copy Vector Envelope
- Copy Pad Setup
- Detune BPM Adjust
- Copy KARMA Module
- Initialize KARMA Module
- Copy Scene
- Swap Scene
- Capture Random Seed
- Auto Assign KARMA RTC Name
- Copy Insert Effect
- Swap Insert Effect
- Insert IFX Slot
- Cut IFX Slot
- Clean Up IFX Routings
- Drum Kit IFX Patch
- Copy MFX/TFX
- Swap MFX/TFX
- Write FX Preset
- Sequencer mode
- Sequencer Overview
- Sequencer P0: Play/REC
- Sequencer P1: EQ/Vector/Controller
- Sequencer P2: Track Parameters
- Sequencer P3: MIDI Filter/Zones
- Sequencer P4: Track Edit
- Sequencer P5: Pattern/RPPR
- Sequencer P7: KARMA
- Sequencer P8: Insert Effect
- Sequencer P9: Master/Total Effect
- Sequencer: Page Menu Commands
- Memory Status
- Exclusive Solo
- Rename Song
- Delete Song
- Copy From Song
- Load Template Song
- Save Template Song
- FF/REW Speed
- Set Location (for Locate Key)
- GM Initialize
- Copy from Combination
- Copy From Program
- Stereo Pair
- Optimize RAM
- Select Sample No.
- Select Directory
- Auto HDR/Sampling Setup
- Bounce All Tracks To Disk
- Copy Tone Adjust
- Reset Tone Adjust
- Show EQ Graphic
- Copy Vector Envelope
- Copy Pad Setup
- Detune BPM Adjust
- MIDI Step Recording
- MIDI Event Edit
- Audio Event Edit
- Audio Automation Edit
- Set Song Length
- Erase Track
- Copy Track
- Bounce Track
- Erase Measure
- Delete Measure
- Insert Measure
- Repeat Measure
- Copy Measure
- Move Measure
- Create Control Data
- Erase Control Data
- Quantize
- Shift/Erase Note
- Modify Velocity
- Region Edit
- Volume Ramp
- Copy Song’s Tempo to Region
- Adjust Song’s Tempo to Region
- Adjust Region to Song’s Tempo (Time Stretch)
- Step Recording (Loop Type)
- Event Edit
- Pattern Parameter
- Erase Pattern
- Copy Pattern
- Bounce Pattern
- Get From MIDI Track
- Put To MIDI Track
- Copy To MIDI Track
- Copy KARMA Module
- Initialize KARMA Module
- Copy Scene
- Swap Scene
- Capture Random Seed
- Auto Assign KARMA RTC Name
- Copy Insert Effect
- Swap Insert Effect
- Insert IFX Slot
- Cut IFX Slot
- Clean Up IFX Routings
- DrumKit IFX Patch
- Copy MFX/TFX
- Swap MFX/TFX
- Write FX Preset
- Put Effect Setting to Track
- System Exclusive events supported in Sequencer mode
- Sampling mode
- Sampling Overview
- Sampling P0: Recording
- Sampling P1: Sample Edit
- Sampling P2: Loop Edit
- Sampling P3: Multisample Edit
- Sampling P4: EQ/Controller
- Sampling P5: Audio CD
- Sampling P8: Insert Effect
- Sampling P9: Master/Total Effect
- Sampling: Page Menu Commands
- Remarks on editing stereo samples
- Delete Sample
- Copy Sample
- Rename Sample
- Move Sample
- Sample Mono To Stereo (Change Sample Type)
- Delete MS (Delete Multisample)
- Copy MS (Copy Multisample)
- Rename MS (Rename Multisample)
- Convert MS (Multisample) To Program
- MS Mono To Stereo/MS Stereo To Mono (Change Multisample Type)
- Move MS (Move Multisample)
- Optimize RAM
- Select Directory
- Auto Sampling Setup
- Truncate (for Sample Edit)
- Cut
- Clear
- Copy
- Insert
- Mix
- Paste
- Insert Zero
- Normalize/Level Adjust
- Volume Ramp
- Rate Convert
- Reverse
- Link
- Truncate (for Loop Edit)
- Time Slice
- Time Stretch
- Crossfade Loop
- Pitch BPM Adjust
- Destination (Audio CD Ripping)
- Copy Insert Effect
- Swap Insert Effect
- Insert IFX Slot
- Cut IFX Slot
- Clean Up IFX Routings
- Copy Master/Total Effect
- Swap Master/Total Effect
- Write FX Preset
- Global mode
- Global P0: Basic Setup
- Global P1: MIDI
- Global P2: Controller/Scale
- Global P3: Category Name
- Global P4: Wave Sequence
- Global P5: Drum Kit
- Global P6: Plug-in Info
- Global: Page Menu Commands
- Write Global Setting
- Set Program User-Bank Type
- Change all bank references
- Touch Panel Calibration
- Half Damper Calibration
- Pad Calibration
- LCD Setup
- Update System Software
- Expansion Sample Setup
- Display Public ID
- Dump Program
- Dump Combination
- Dump Drum Kit
- Dump Wave Sequence
- Dump Global Setting
- Dump Sequencer
- System Exclusive Data Dumps
- Set Up KARMA External MIDI Routing
- Reset External Setup
- Reset Controller MIDI Assign
- Copy Scale
- Write Wave Sequence
- Write Drum Kit
- Copy Key Setup
- Swap Key Setup
- Disk mode
- Files, directories, and icons
- Disk P0: File
- Disk P1: Audio CD
- Disk: Page Menu Commands
- Hide unknown files
- Translation
- Lock/Unlock selected
- Load selected
- Save All (PCG, SNG and KSC)
- Save PCG & SEQ
- Save PCG
- Save SEQ
- Save Sampling Data
- Save to Standard MIDI File
- Save Exclusive
- Save Effect Preset
- Export Samples as AIF/WAV
- Save Audio CD Track List
- Rename
- Copy
- Delete
- Delete Unused WAV Files
- Create Directory
- Set Date/Time
- Format
- Convert to ISO9660 Format
- Rate Convert
- Check Medium
- Scan device
- Swap Track
- Write to CD
- Finalize Audio CD
- Erase CD-RW
- Effect Guide
- Overview
- Insert Effects (IFX1…IFX12)
- Master Effects (MFX1, 2)
- Total Effects (TFX1, 2)
- Outputs
- Effect/Mixer Block Diagrams
- Examples of the effect graphics
- Dynamics
- EQ and Filters
- 011: Stereo Parametric 4EQ
- 012: Stereo Graphic 7EQ
- 013: Stereo Master 3EQ
- 014: Stereo Exciter/Enhncr
- 015: Stereo Isolator
- 016: Stereo Wah/Auto Wah
- 017: St. Vintage/Custom Wah
- 018: Stereo Random Filter
- 019: Multi Mode Filter
- 020: Stereo Sub Oscillator
- 021: Talking Modulator
- 022: Stereo Decimator
- 023: Stereo Analog Record
- 024: Stereo Wave Shaper
- 025: Piano Body/Damper
- 026: Vocoder
- Overdrive, Amp models, and Mic models
- 027: OD/Hi-Gain Wah
- 028: OD/HyperGain Wah
- 029: Stereo Guitar Cabinet
- 030: Guitar Amp Model +P4EQ
- 031: Guitar Amp Model +Cabinet
- 032: Stereo Bass Cabinet
- 033: Bass Amp Model
- 034: Bass Amp Model +Cabinet
- 035: Bass Amp TubeDrive +Cab
- 036: Tube PreAmp Modeling
- 037: St. Tube PreAmp Modeling
- 038: Mic Modeling +PreAmp
- 039: St. Mic Modeling +PreAmp
- Chorus, Flanger, and Phaser
- 040: Stereo Chorus
- 041: Stereo Harmonic Chorus
- 042: St. Bi-phase Modulation
- 043: Multitap Cho/Delay 4Taps
- 044: Multitap Cho/Delay 6Taps
- 045: Bi Chorus
- 046: Ensemble
- 047: Polysix Ensemble
- 048: Stereo Flanger
- 049: Stereo Random Flanger
- 050: Stereo Envelope Flanger
- 051: Stereo Phaser
- 052: Stereo Random Phaser
- 053: Stereo Envelope Phaser
- 054: Bi Phaser
- Modulation and Pitch Shift
- 055: Stereo Vibrato
- 056: Stereo Auto Fade Mod.
- 057: 2-Voice Resonator
- 058: Doppler
- 059: Scratch
- 060: Grain Shifter
- 061: Stereo Tremolo
- 062: Stereo Envelope Tremolo
- 063: Stereo Auto Pan
- 064: Stereo Phaser+Tremolo
- 065: Stereo Ring Modulator
- 066: Stereo Frequency Shifter
- 067: Detune
- 068: Pitch Shifter
- 069: Stereo Pitch Shifter
- 070: Pitch Shifter BPM
- 071: Stereo Pitch Shifter BPM
- 072: Pitch Shift Mod.
- 073: Organ Vibrato/Chorus
- 074: Rotary Speaker
- 075: Rotary Speaker Pro OD
- 076: Rotary Speaker Pro CX
- Delay
- 077: L/C/R Delay
- 078: L/C/R Long Delay
- 079: Stereo/Cross Delay
- 080: Stereo/Cross Long Delay
- 081: Stereo Multitap Delay
- 082: Stereo Modulation Delay
- 083: Stereo Dynamic Delay
- 084: Stereo Auto Panning Delay
- 085: Tape Echo
- 086: Multiband Mod. Delay
- 087: Reverse Delay
- 088: Hold Delay
- 089: Auto Reverse
- 090: Sequence BPM Delay
- 091: L/C/R BPM Delay
- 092: L/C/R BPM Long Delay
- 093: Stereo BPM Delay
- 094: Stereo BPM Long Delay
- 095: Stereo BPM Multitap Delay
- 096: Stereo BPM Mod. Delay
- 097: St. BPM Auto Panning Dly
- 098: Tape BPM Echo
- 099: Reverse BPM Delay
- Reverb and Early Reflections
- Mono-Mono Serial
- 109: P4EQ - Exciter
- 110: P4EQ - Wah
- 111: P4EQ - Chorus/Flanger
- 112: P4EQ - Phaser
- 113: P4EQ - Multitap Delay
- 114: Comp - Wah
- 115: Comp - Amp Sim
- 116: Comp - OD/HiGain
- 117: Comp - P4EQ
- 118: Comp - Chorus/Flanger
- 119: Comp - Phaser
- 120: Comp - Multitap Delay
- 121: Limiter - P4EQ
- 122: Limiter - Chorus/Flanger
- 123: Limiter - Phaser
- 124: Limiter - Multitap Delay
- 125: Exciter - Comp
- 126: Exciter - Limiter
- 127: Exciter - Chorus/Flanger
- 128: Exciter - Phaser
- 129: Exciter - Multitap Delay
- 130: OD/Hi Gain - Amp Sim
- 131: OD/Hi Gain - Cho/Flanger
- 132: OD/Hi Gain - Phaser
- 133: OD/Hi Gain - Multitap Dly
- 134: Wah - Amp Sim
- 135: Decimator - Amp Sim
- 136: Decimator - Comp
- 137: Amp Sim - Tremolo
- 138: Cho/Flanger - Multitap Dly
- 139: Phaser - Chorus/Flanger
- 140: Reverb - Gate
- Mono/Mono Parallel
- 4 band EQ
- Compressor
- Limiter
- Exciter
- OD/HI-GAIN
- WAH
- Chorus/Flanger
- Phaser
- Multi-tap BPM Delay
- 141: P4EQ // P4EQ
- 142: P4EQ // Comp
- 143: P4EQ // Limiter
- 144: P4EQ // Exciter
- 145: P4EQ // OD/Hi Gain
- 146: P4EQ // Wah
- 147: P4EQ // Chorus/Flanger
- 148: P4EQ // Phaser
- 149: P4EQ // Multitap BPM Dly
- 150: Comp // Comp
- 151: Comp // Limiter
- 152: Comp // Exciter
- 153: Comp // OD/Hi Gain
- 154: Comp // Wah
- 155: Comp // Chorus/Flanger
- 156: Comp // Phaser
- 157: Comp // Multitap BPM Dly
- 158: Limiter // Limiter
- 159: Limiter // Exciter
- 160: Limiter // OD/Hi Gain
- 161: Limiter // Wah
- 162: Limiter // Chorus/Flanger
- 163: Limiter // Phaser
- 164: Limiter // Mtap BPM Dly
- 165: Exciter // Exciter
- 166: Exciter // OD/Hi Gain
- 167: Exciter // Wah
- 168: Exciter // Chorus/Flanger
- 169: Exciter // Phaser
- 170: Exciter // Mtap BPM Dly
- 171: OD/Hi Gain // OD/Hi Gain
- 172: OD/Hi Gain // Wah
- 173: OD/Hi Gain // Cho/Flanger
- 174: OD/Hi Gain // Phaser
- 175: OD/Hi Gain // Mt BPM Dly
- 176: Wah // Wah
- 177: Wah // Chorus/Flanger
- 178: Wah // Phaser
- 179: Wah // Multitap BPM Dly
- 180: Cho/Flange // Cho/Flanger
- 181: Cho/Flange // Phaser
- 182: Cho/Flange // Mt BPM Dly
- 183: Phaser // Phaser
- 184: Phaser // Mtap BPM Dly
- 185: Mt.BPM Dly // Mt.BPM Dly
- KARMA GE guide
- Appendices
- Alternate Modulation Sources (AMS)
- Dynamic Modulation Sources (Dmod)
- Controller Assignments
- Dynamic MIDI Sources & Destinations
- MIDI transmission when the OASYS’s controllers are operated
- OASYS and MIDI CCs
- MIDI applications
- About MIDI
- Connecting MIDI devices & computers
- Controlling an external MIDI tone generator from the OASYS
- Controlling the OASYS's tone generator from an external MIDI device
- Controlling two or more external MIDI tone generators from the OASYS
- The "Convert Position" setting
- Connecting an external MIDI sequencer or computer
- Local Control On settings
- Messages transmitted and received by the OASYS
- MIDI channels
- Note on/off
- Program Change/Bank Select
- After touch
- Pitch bend
- Control change
- Selecting program/combination banks
- Using the joystick to apply modulation
- Controlling portamento
- Controlling volume
- Controlling pan (stereo position)
- Controlling effects
- Using various controllers
- Controlling Program tone & envelope shapes
- Vector control
- KARMA function control
- Pad 1-8 control
- Using RPN (Registered Parameter Numbers)
- About system exclusive messages
- Universal system exclusive
- Transmitting sound settings data (Data Dump)
- Editing sounds via SysEx
- If notes are "stuck"
- Playing the OASYS multi-timbrally from an external device
- Synchronizing the playback of the KARMA function or sequencer
- Recording musical data from an external device
- Recording the MIDI output of the OASYS’s controllers, KARMA function, and internal sequencer to an external sequencer/computer
- Using the REALTIME KNOBS 1-8 to record MIDI control changes on an external MIDI sequencer/computer
- Recording the KARMA function or RPPR function on an external MIDI sequencer/computer
- About GM (General MIDI)
- About standard MIDI files
- MIDI Implementation
- Error and confirmation messages
- A (ADC-Are You Sure)
- B (Buffer)
- C (Can't calibrate-Completed)
- D (Destination-Disk)
- Destination and source are identical
- Destination from-measure within the limits of source
- Destination is empty
- Destination measure is empty
- Destination multisample already exists
- Destination multisample and source multisample are identical
- Destination sample already exists
- Destination sample data used in source sample Can’t overwrite
- Destination sample is empty
- Destination song is empty
- Directory is not empty Cleanup directory Are you sure?
- Disc full
- Disk not formatted
- E (Error-Exceeded)
- F (File-Front)
- I (Illegal-Index)
- M (Master-Multisample)
- N (No data-Not enough song memory)
- No data
- No medium
- No recording track specified
- No space available on medium
- No space available on medium Do you want to make a divided file?
- Not enough empty slot to copy
- Not enough memory
- Not enough memory to load
- Not enough memory to open pattern
- Not enough multisample memory
- Not enough region locations available
- Not enough relative parameter memory
- Not enough sample memory
- Not enough sample/multisample locations available
- Not enough song locations available
- Not enough song memory
- No unused WAVE files found
- O (Obey copyright rules-Oscillator)
- P (Pattern-Program)
- R (Rear sample-Root)
- S (Sample-Source)
- Sample data used in other sample(s) Continue?
- Sample L and R are identical
- Sample length is shorter than minimum
- Sample used in other multisample(s) Continue?
- Selected file/path is not correct
- Slice point over limit Can't divide
- Source file is not 44100Hz or 48000Hz Can’t convert
- Source IFX is all empty
- T (The clock-Track)
- The clock battery voltage is low. Please replace the battery, and set the date and time in Disk mode.
- The Expansion Sample Setup has now been changed. In order for your changes to take effect, please turn the power off, and then on again. [OK]
- There are un-saved audio files from your previous recording session. Do you want to restore these files, or delete them from the disk? [Restore] [Delete]
- There is not readable data
- The system update has now been installed. To complete the process, you must now restart the OASYS. Please turn the power off, and then on again.
- This file is already loaded
- Track is full
- U (Unable to create directory-USB Hub)
- W (Wave)
- Y (You)
- Disk mode information
- Option boards/Memory/Calendar battery
- Updating the system
- Using the included Restore CDs to restore the system and factory sounds
- Voice Name List
- Combinations
- Programs
- Drum Kits
- GM Drum Kits
- KARMA GEs
- External Setups
- 000: NI Pro53
- 001: Atmosphere
- 002: B4
- 003: FM7 (requires FM7 controller file)
- 004: Subtractor (Reason)
- 005: NNXT (Reason)
- 006: Dr.Rex (Reason)
- 007: Redrum (Reason) 8-channel mixer
- 008: Redrum (Reason) 8-channel Editor
- 009: Malstrom (Reason)
- 010: Mixer (Reason)
- 011: NN-19 (Reason)
- 012: Legacy MS-20
- 013: Legacy Polysix
- 014: NI Elektrik Piano
- 015: USB Ultra Focus
- 016: 8-channel MIDI Mixer
- Multisamples
- Drumsamples
- Wave Sequences
- Preset Patterns
- Template Songs
- Demo Songs