Introduction to roomperfect – Lyngdorf Audio TDAI 2200 User Manual

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Introduction to RoomPerfect™

Once the guided set-up has been successfully completed you have the option to listen to music through

two listening settings; Focus 1 and Global room correction fi lters. The RoomPerfect™ fi lters are stored

on the numerical buttons from 1 to 9 on the remote control. To change from one fi lter to the other you

simply press the numerical button corresponding to the desired fi lter, or toggle between them by press-

ing the Up/Down buttons on the remote or front panel.

Global is stored on numerical button 9 and the Focus 1 is stored on numerical button 1. Furthermore you

can add 7 more Focus/listening position (8 in all). The additional focus/listening positions can be stored on

numerical buttons from 2 to 8. To bypass the room correction fi lters, press numerical button 0.

Global Listening

The Global fi lter improves the sound quality across the whole room. When you are listening to music in

a room but are not sat in any particular listening position, the global fi lter gives the best result.

Focus Listening

The Focus fi lter improves the sound quality at a listening position by exploiting the 3-dimensional acous-

tic properties gained through the room measurements. This makes the Focus fi lter the best solution for

optimal sound quality at a specifi c listening position.

Voicing

The Voicing setting is an EQ fi lter that can be used to gently amplify or attenuate certain frequencies

according to your personal preferences and/or to compensate if a given recording sounds too ‘bright’ or

too ‘dark’. The standard voicing settings are:

Neutral, Music 1, Music 2, Open, Open Air, Relaxed, Soft.

The frequency curves of the different voicing settings can be viewed in the appendix. Neutral is a bypass

setting.

You can toggle between neutral and the available voicings by pressing the Left/Right buttons on the

remote or front panel.

When using RoomPerfect™ you will experience a much more precise and detailed sound reproduction

– which could also be described as more analytical. This means that it’s easy to distinguish poor quality

recordings.

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