Channel controls – Tapco MIX.FX MIX10FXP User Manual

Page 15

Advertising
background image

15

Channel Controls

The 10 vertical channel strips look very

similar, with only a few differences between
them. Each channel works independently,
and controls the signals plugged into the
inputs directly below it.

Mono Channels 1 to 6

• Channels 1 to 6 are mono channels,

and their controls affect both the mono
mic input (5) and the mono line-level
input (6).

• The 3-band EQ (14-16) has shelving-high,

shelving-low, and peaking-mid EQ.

• The mono signals are split equally to the

left and right of the main mix.

• The gain switch (21) allows you to select

between high gain for microphone level
inputs, or low gain for line-level inputs or
strong mic signals.

Stereo Channels 7 to 10

• Channels 7 and 8 are stereo channels,

and their controls affect both the mono
mic input (5), and stereo line-level input
(7). (The mono mic input of each stereo
channel is split equally to left and right).

• Channels 9 and 10 are stereo channels,

and their controls affect both the mono
mic input (5), and stereo RCA inputs
(8). (The mono mic input of each stereo
channel is split equally to left and right).

• The stereo channel EQ (14-16) is a 3-

band design just like the mono channel
EQ.

• The channel gain is fi xed.

“U” like Unity gain

The “U” symbol on almost every level

control stands for “unity gain,” meaning no
change in signal level. The labels on the
controls are measured in decibels (dB), so
you’ll know what you’re doing level-wise if
you choose to change a control setting.

Signal Flow

The block diagram on page 26 shows the

signal fl ow, but here is a short description of
the fl ow through the channel strip section:
1. The mic inputs and mono line inputs

of mono channels 1 to 6, each feed a
preamplifi er whose gain is set by the
gain switch (21). The stereo channel
inputs (mic, 1/4” and RCA) do not have
a gain switch.

2. The EQ section (14-16) is available

to adjust the signal as required, with
adjustments in the low, mid, and high
frequency range.

3. The mon control [17] taps the signal off

just before the channel level controls, so
the stage monitor level is not affected
by changing the channel levels. (It is
affected by channel EQ.)

4. The channel level controls (20) allow

you to adjust how much of each
channel is added to the main mix.

5. The FX control [18] taps the signal after

the channel level, so any change in
channel level will affect the signal
reaching the internal effects processor.

14

15

16

17

18

20

6

19

21

5

7

8

Mono Channels 1–6

Stereo Channels 7–10

Advertising