Yamaha CP5 - Manual (Page 22)

Internal Design of the CP5 & CP50
Reference
Left & Right Parts
[VOICE]
[PRE-AMP]
[MOD-FX]
[PWR-AMP] (CP5 only)
[LEFT1]/[LEFT2]/[RIGHT1]/
[RIGHT2] (CP5)
[LEFT]/[RIGHT] (CP50)
[COMMON]
Song Setting Area
[SONG SETTING]
[RECORD]
TRACK Part
[TRACK]
MIC INPUT Part
[MIC INPUT] (CP5 only)
Settings for All Parts
[REVERB]
Settings for All Performances
[MASTER COMPRESSOR]
[UTILITY]
[FILE]
Appendix
22 CP5/CP50 Reference Manual
L L/R Depth This parameter is used to set the depth of the left-right panning effect.
L/R Diffusion This parameter is used to set the difference between left and right delay times in order to
produce a more spacious sound.
Lag This parameter is used to set a time lag for delay times specified in terms of note
lengths.
LFO Depth SPX Chorus, Classic Flanger, and Ring Modulator:
This parameter is used to set the depth of modulation.
Tempo Phaser: This parameter is used to set the depth of phase modulation.
LFO Phase
Difference This parameter is used to set the left-right phase difference between modulation wave-
forms (where a setting of 64 represents zero degrees or no phase difference).
LFO Speed Chorus effects, Flanger effects, Tremolo, and Ring Modulator:
This parameter is used to set the modulation frequency.
Tempo Flanger and Tempo Phaser: This parameter is used to set the modulation speed
in terms of note lengths.
Auto Pan: This parameter is used to set the auto-pan frequency.
LFO Wave Flanger effects and Ring Modulator: This parameter is used to select a modulation
waveform.
Auto Pan: This parameter is used to set the panning curve.
Liveness This parameter is used to set the way in which early reflections decay.
Low Attack This parameter is used to set the amount of time that elapses before compression is fully
applied in the low-frequency band.
Low Gain This parameter is used to set the output level of the low-frequency band.
Low Level This parameter is used to set the low-frequency level.
Low Mute This parameter is used to activate and deactivate low-frequency muting.
Low Ratio REV-X Hall and REV-X Room:
This parameter is used to adjust the low-frequency component.
Multiband Compressor: This parameter is used to set the compression ratio for the low-
frequency band.
Low Threshold This parameter is used to set the input-signal level at which the compressor starts to
process the sound in the low-frequency band.
LPF Resonance This parameter is used to set the resonance of the input signal’s low-pass filter.
M Mic L-R Angle This parameter is used to set the left-right inclination of the microphone used to capture
the speaker's output.
Mid Attack This parameter is used to set the amount of time that elapses before compression is fully
applied in the mid-frequency band.
Mid Gain This parameter is used to set the output level of the mid-frequency band.
Mid Level This parameter is used to set the mid-frequency level.
Mid Mute This parameter is used to activate and deactivate mid-frequency muting.
Mid Ratio This parameter is used to set the compression ratio for the mid-frequency band.
Mid Threshold This parameter is used to set the input-signal level at which the compressor starts to
process the sound in the mid-frequency band.
Mix Level This parameter is used to set how much of the effect sound is mixed back into the dry
sound.
Mod Depth This parameter is used to set the depth of modulation.
Mod Depth Ofst R This parameter is used to set the modulation depth for the right channel as an offset.
Mod Feedback This parameter is used to set the amount of the output signal that is fed back to the mod-
ulation.
Mod Gain This parameter is used to adjust the modulation gain level.
On-screen name
(and full name)
Description