ALESIS ANDROMEDA A6 User Manual

Page 264

Advertising
background image

Appendix B: Table of Software Modulation Sources

A

NDROMEDA

A6 R

EFERENCE

M

ANUAL

262

note, a rising level will occur. The level of this source
depends on the difference between the notes played.

27.

PORTA RAW LEVEL

A bipolar rising or falling source that represents the
direction of Portamento. If you play a legato note below
the first played note, a slow rise to full output will occur,
starting from zero. If you play above the first played note,
a slow descent from full output to zero will occur.
Playing the same note twice will not cause any output
change.

28.

VOICE RANDOM

A digital random value generator that is independent per
Voice (it has a different ouput level per Voice).

29.

SUSTAIN PEDAL

The output state of an on/off sustain pedal. This can be
used as a level or trigger.

30.

FOOT SWITCH

The output state of an on/off foot switch. This can be
used as a level or trigger.

31.

CONTROL PEDAL

The output level of continuous control pedal, e.g. volume
pedal.

32.

MIDI VOLUME

The current MIDI volume level.

33.

PGM KEY NUMBER

The value of the last note played.

34.

KEY TRIG RATE

A mod source that reacts to the number of notes played
over time. A flurry of notes will produce a high-level
output. A very slowly played set of notes will produce a
low-level output. Useful for changing a Mod level
depending on your style of playing.

35.

PGM KEY ON VEL

The key-on velocity level of the last note played.

36.

PGM KEY OFF VEL

The key-off velocity level of the last note played.

37.

PGM KEY DOWN

38.

PGM NUMKEYS ON

A level proportional to the number of keys held. The level
will be zero if no notes are played and rises as more notes
are played, with a maximum level at sixteen. Useful for
scaling volume down in proportion to the number of
notes held.

39.

TEMPO

A level proportional to the position of the Master Clock

TEMPO

knob.

40.

MASTER CLOCK

A trigger that occurs every quarter note at a tempo
determined by the Master Clock.

41.

MIDI CLOCK

A trigger that occurs every quarter note at a tempo
determined by the incoming MIDI Clock.

42.

MIDI START

A trigger that occurs when a MIDI Start message is
received from an external device.

43.

MIDI STOP

A trigger that occurs when a MIDI Stop message is
received from an external device.

44.

MIDI FIRST CLK

45.

MIDI START/CONT

A trigger that occurs when a MIDI Continue message is
received from an external device.

46.

SAMPHOLD CLOCK

A trigger that occurs upon each cycle of the Sample and
Hold’s Clock.

Advertising