ALESIS ANDROMEDA A6 User Manual

Page 50

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Chapter 2: Playing the A6

48

A

NDROMEDA

A6 R

EFERENCE

M

ANUAL

S

PLITS

The major difference between a split and a layer is in the

KBD

settings. The

KBD LO

and

KBD HI

settings define the limits of the keyboard range or “zone” of the Mix

Channel. In a layer, the settings overlap; but in a split, the settings separate (“split”)
the keyboard.

T

O SPLIT THE KEYBOARD IN

M

IX MODE

:

Start from the Mix we setup in layers on the previous page.

1. Press

MIX SELECT

button

1/9

to select Mix Channel 1.

2. Press soft button

5

(

KBD

) and use soft knob

2

to set Mix Channel 1’s

KBD HI

note

down to

B3

, the B below Middle C. This effectively makes Mix Channel 1 the

“lower” or left-hand keyboard zone.

3. Next, we’ll set up Mix Channel 2 to be the “upper” or right-hand keyboard zone.

Press

MIX SELECT

button

2/10

, and use soft knob

1

to set Mix Channel 2’s

KBD LO

note up to

C4

, Middle C.

The A6’s keyboard is now “split” between Middle C and the B below it with Mix
Channel 1 playing notes up to and including the B key and Mix Channel 2 playing all
notes from Middle C and above.

Tip:

To set the Hi and Lo values using the keyboard instead of the knobs, turn soft
knob

3

(

USEKBD

) to set this feature to

-ON-

. When either

KBD LO

or

KBD HI

is

highlighted (by turning their soft knobs or by pressing soft button

5

(

KBD

), play

any note on the keyboard to set the value. Make sure to turn this off to avoid
inadvertently changing split points.

Another neat trick:

To get a "hole in the middle", so one mix channel will play at the

low end and high end of the keyboard but NOT in the middle, simply set

KBD

LO

so it's higher than

KBD HI

. The channel will play all notes except between

those two points, creating a "hole" where no notes play for that Mix Channel,
while notes on either side will play (up and down to the limits of the MIDI note
range). So a Mix Channel with a KBD LO limit of C6 and a KBD HI limit of C5
would be playable from the range of C-1 to C5 (inclusive) and from C6 to G9.

B

EYOND

S

PLITS AND

L

AYERS

As you can see by our previous examples of creating a split or a layer, this is only the
beginning. The key point here is that we used only two Mix Channels. What happens
when we use three? Or more? By activating a third Mix Channel with a layer, a three-
level layer is created. Activating a fourth Mix Channel adds a fourth layer.

Just keep in mind that each new Mix Channel, if

ENABLE

is

- ON -

in the

KBD

page,

divides the available 16 voices among the active Mix Channels. 16 voices ÷ 4 Mix
Channels = 4 voices per Mix Channel. But if

ENABLE

is

- OFF -

in the

KBD

page, the

Mix Channel can be used to play a MIDI instrument from the A6’s keyboard and
doesn’t take A6 voices away from the other active Mix Channels.

For splits, adding another Mix Channel and resetting

KBD LO

and

KBD HI

zone

limits for each Mix Channel to avoid overlap creates a three-way split. Add another
Mix Channel for a four-way split and so on. If the

KBD LO

and

KBD HI

zone limits

for two Mix Channels do overlap, the result is a split keyboard with a layer.

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