Nilfisk-ALTO CLE8.0 - Manual (Page 6)

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2.1.2 Introducing Audio Dynamics
Chart.1: The dynamic range capabilities of various devices
Chart.2: The interactive relationship between the operating level and the headroom
2.1.3 More technical stuff about Compressor/Limiters
Clipping Signal heavily distrorted Clipping Signal heavily distrorted
Low level signal drowned out by noise Low level signal drowned out by noise
Clipping Aera
Noise Aera
Try to measure the dynamic range of musical instruments. You will find out that your ear will handle such
range during which the distortion and overloading will be generated in your audio equipment.
To avoid these, compressor/Limiters will be used. Both Compressors and Limiters more or less do the same
job but Limiters brutally limit the audio signal above a set threshold, while Compressors handle signal in a
much more civilised way and over a wide range of levels. If an audio signal exceeds the threshold set by
the User the limiter will kill any audio signal above that threshold. Period! Also Compressors perform their
function when the audio signal exceed a certain threshold but the signal is not killed brutally. The audio signal
will be reduced in gain in proportion with the amount above the set threshold.
So the operating level must be as high as possible but not high enough to generate distortion.
Thriky uh?
There is a very easy way to obtain this. With the volume knob in hand you increase the volume during low
passages and decrease the volume during loud passages. Unfortunately even the Great Houdini would not
be fast enough to monitor carefully the speed of the musical signal and it would be impossible to detect sig-
nal peaks and consequently levelling them out. Manual control is therefore out of question. The answer is
AGC (automatic gain control); a device that will monitor the signal in real time and that will adjust the gain
for the best S/N ratio without producing distortion. So, the name of this device is "Compressor/limiter".
The human ear can detect the noise generating by falling leaves as well as the roar generated by the taking
off space shuttle. Unfortunately no analog, nor digital device can reproduce such wide spectrum. Please
look at Chart.1 and you will see the difference if dynamic capacity of various devices when compare to the
human ear. More problems occur when handling high level signals and low level signals. When you reach
the high level limit you may incur in distortion because of the dynamic range of the instrument therefore a
certain "reserve" must be maintained to avoid distortion. This reserve is known as "headroom" and it is usu-
ally set at 10-20dB. Would not be easier just to reduce the operating level? Yes it would but you would put
low level music signals at the same level of the basic noise floor so the overall quality of the signal would be
highly deteriorated. Please look at Chart.2 and note the Usable dynamic range (including headroom) versus
high level distortion generated by peaks, and Noise floor level.