What is a de-esser, Equalization, Low pass - high pass filters – Antares TASCAM TA-1VP User Manual

Page 13: What is a de-esser? equalization, 2 – introducing the tascam ta-1vp vocal producer

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TASCAM TA-1VP

13

What is a De-Esser?

When recording spoken or sung material, the sibilants

(Ss, Ts, CHs, and SHs) in the track often sound louder than

the rest of the signal. The effect is unnatural and often

irritating. The solution to this problem is to compress

only the sibilants, thereby lowering their level relative to

the rest of the track. Processing a signal this way is called

de-essing.
The diagram below shows how analog hardware is

traditionally configured to accomplish de-essing.

COMPRESSOR

IN

IN

OUT

OUT

SIDECHAIN

INPUT

HIGH

PASS

FILTER

Only the sibilants pass through the highpass filter. When

the input signal contains sibilant material, the output of

the filter causes the compressor to compress the signal.

The compressor only operates when a sibilant is present.
The TA-1VP uses a digital algorithm to implement the de-

esser function. While the details of the algorithm are quite

complex, the resulting effect is functionally equivalent to

the diagram above.

Equalization

The TA-1VP’s two bands of equalization each offer seven

different filter types: Low Pass (6 dB/octave and 12 dB/

octave), Low Shelf, Band Pass, Notch, Peaking, High Shelf,

and High Pass (6 dB/octave and 12 dB/octave). Each

filter type has its own characteristics and applications.

The graphs used in the next section show the frequency

response for each type with the settings used to generate

the curves notated next to the graph.

Low Pass - High Pass Filters

The low pass and high pass filters available in the TA-1VP

offer both a 6 dB per octave and a 12 dB per octave roll-

off characteristic. The 6 dB per octave versions offer a

more subtle effect, while the 12 dB per octave roll-off is

useful for attenuating sub-sonic noise, rumble, mic stand

noise, high frequency hiss, and other environmental

noises encountered in the recording process. Additionally,

the 12 dB per octave versions provide a “Q” control that

allows you to create a variable height peak at the cut-off

frequency.

LOG

MAGNITUDE

(dB)

FREQUENCY

50

-18

-12

-6

0

6

100

300

1000

3000

10000 22050

LP

LOW PASS FILTER
Frequency: 1,000 Hz
Gain: N/A
Bandwidth: N/A

LOG

MAGNITUDE

(dB)

FREQUENCY

50

-18

-12

-6

0

6

100

300

1000

3000

10000 22050

HP

HIGH PASS FILTER
Frequency: 1,000 Hz
Gain: N/A
Bandwidth: N/A

2 – Introducing the TASCAM TA-1VP Vocal Producer

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