ALESIS QS8.1 User Manual

Page 187

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Index

QS7.1/QS8.1 Reference Manual

182

Pitch.........................................120–22
Pitch envelope..........................130–32
Pitch LFO.................................144–46
Tracking Generator....................149–50
Velocity curves...............................126
Voice........................................116–18

Programs overview............................107

normalized synth voice...................107

QS signal flow tutorial.................109–11
QS sound generation...........................108
Signal Processing overview................112
Sound Layers.....................................109
storing a Program to a card..................37
storing a Program to the User Bank......37
using BANK buttons in Prog Mode........22

Q

QS Parameters Index.............................175

Mix Edit parameters..........................177
Program Edit parameters...................175

R

RAM cards................... see Expansion cards
Range

Mix mode...........................................106
Program mode....................................128

creating a ‘hole in the middle’........128

Registered Parameter Numbers (RPNs)..173
Re-initializing the QS, procedure..........166

S

Samples

chart of drum Groups & Voices.......151–52
chart of synth Groups & Voices......117–18

SELECTION (numeric) buttons................22
sequencer, external.................................50
Sequences

playing from a card.............................39
SEQUENCE button overview...............23
transmitting card sequence data...........57

SERIAL PORT connector.........................14
Servicing your QS..................................168
Sound Bridge

.......................................

159

Sound Groups..........................................26
Sound Overlap......................................129
Sounds

crossfading........................................126
muting/unmuting................................116
selecting Banks.........................22, 30, 31
selecting Mixes...................................31
selecting Programs.........................30, 37
selecting Sounds.................................117

Special Programming functions

copying Sounds...................................156

program preview before storing..........157

SRAM.......................... see Expansion cards
Storing

all data to MIDI.................................58
altered Mixes to a card........................37
altered Mixes to the User Bank...........37
altered Programs to a card...................37
altered Programs to the User Bank......37
STORE button overview......................20

Sustain footswitch.................................27
SUSTAIN PEDAL input jack.....................2
System Exclusive ("SysEx")....................58

T

Tracking Generator...........................149–50
Transmitting the User bank to MIDI........58
TRANSPOSE

Global transpose settings.....................43
Performance Transposition Chart........34
TRANSPOSE button, overview............23
transposing the keyboard....................33

Troubleshooting....................................165

checking the software version............167
re-initialization procedure................166

U

User Bank

copying to..........................................155
defined...............................................26
storing to MIDI...................................58

V

VALUE buttons......................................20
Velocity

adjusting Velocity Curve (global)........42
adjusting Velocity Scaling (global)......42
chart of curves (Program edit mode)....126
crossfading.................................126, 154
defined...............................................26
linear curve................................126, 154

Volume pedal........................................27
VOLUME slider................................10, 19

W

Windows

®

, using with QS.......................15

Z

Zones

Mix mode...........................................106
Program mode....................................128

creating a ‘hole in the middle’........128

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