Rane RPM 26v User Manual

Page 15

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Manual-15

PARAMETRIC EQ (PEQ)

Every DSP Program contains multi-band

parametric EQ, abbreviated PEQ. The quantity of
PEQ filters varies from program to program. The
PEQ block shown at the right contains 5 filters.
Some DSP Programs have parametric EQ in both
the Input and Output (see Input Blocks & Output
Blocks on page Manual-21). Parametric EQ can be used for a
wide variety of purposes. Generally, input parametric is used
for program sweetening and/or band-limiting the frequency
range. Output parametric can be used to correct for loud-
speaker response anomalies, or if used sparingly, to some-
times overcome acoustically created room anomalies. In
distribution applications, output PEQ provides independent
equalization of each zone.

The quantity of PEQ filters may vary with each program,

but the operation of the PEQ filters is consistent. Double
clicking on any

PEQ block opens that PEQ’s detail window

where all parametric parameters are adjusted. The detail
window is shown at the bottom of this page.

The name of the open

PEQ block appears at the top of the

window. The graph contains some quantity of circled num-
bers, each representing an available parametric EQ filter. The
location of each circle on the graph determines that filter’s
frequency in the x-direction (left-right) and level (boost/cut)
in the y-direction (up-down). Across the bottom of the screen
are edit boxes displaying the selected filter’s current settings.
The left-most

Filter edit box displays the currently selected

filter number. This same filter appears on the graph in a
different color with its corresponding number circled. The
plotted contribution of the selected filter also appears in a
different color. This makes it easier to see the contribution of
each individual parametric filter. It is also convenient to
simultaneously open the

Overall Response curve for the PEQ

output you are viewing (double click on the Output’s screw
terminal). This provides the calculated overall response of all
viewed PEQ filters. (See the Overall Response section on
page Manual-20 for further details.) Click on the

Filter edit

box’s down arrow to display and select a different filter’s
settings. You may also click directly on the circled number on
the graph corresponding to the filter to edit or view it.

The

Freq (Hz) edit box is changed with the up or down

arrows. Or click in the edit box to display the cursor and type
a new frequency value, always in integer Hertz.

The

Level (dB) edit box is also changed with its up or

down arrows. Or click in the edit box to display the cursor
and type a new level value in dB. The

Level’s step size is ¼

dB (0.25). The boost range is +12 dB, the cut range is -15 dB.
Typed values are truncated to the nearest value, not rounded
high or low.

HIGH & LOW CUT FILTERS

High and Low Cut filters are provided in

some DSP Programs. Their purpose is to band-
limit the system’s frequency range. Not all
installations require 20 to 20 kHz bandwidths
for their audio systems. Use the

High and Low

Cut filters to remove the generally undesirable
frequencies below 80 or 100 Hertz and above 15 to 18
kilohertz. These frequency ranges are simply examples, since
often each system requires a unique range.

Like all detail windows, the name of the window is

displayed at the top. The edit boxes at the bottom of the
window show the current

Low Cut and High Cut frequency

settings in Hertz. To edit the current values, click the up or
down arrows, or click in the edit box to display the cursor and
type a new value. The

High and Low Cut filters are fixed

Butterworth, 24 dB/Oct. (4

th

order) filters.

The

Bypass check boxes on the High and Low Cut detail

window turn the filters completely off. Note that this is not
equivalent to simply setting them to their highest (20 kHz)
and lowest (20 Hz) frequency settings. Toggling these
Bypass check boxes provides an easy way to compare filtered
versus unfiltered responses, just be sure you don’t cause any
damage by bypassing the high or low cut filters.
Filter
Bypassing is never ramped.

Adjusting the filter frequency settings is also possible if

you click and drag directly on the graphed curve itself. You
must click directly on the curve’s downward slope, on the
high or low frequency side, to successfully grab the curve and
alter the settings. The curve changes color when successfully
“grabbed” and the 3 dB down point of the curve snaps to your
cursor’s position. This 3 dB down point defines the frequency
setting for each filter.

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