Multitrack techniques, Example, O o o o – Yamaha MT44D User Manual

Page 7

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MULTITRACK TECHNIQUES

BASIC RECORDING

Don't worry about the balance between channels when initially recording the tracks. Instead, pay attention
to setting record level for the best sound quality—minimum distortion and maximum signal-to-noise ratio.

Optimum record level is normally when the program peaks read between 0 and +3 dB on the LED level

indicators. You can set up the ideal overall balance when mixing your 4-track master tape down to stereo

on a standard stereo deck.

Mixer

INPUT

LEVEL

o
o
o
o

MT44D

Mixer

CH-1

CH-2

CH-3

CH-4

LEVEL PAN

o O
o A

o O

L K

o O

L R

Stereo Tape

' • ■

■ • '

OVERDUBBING

With the MT44D it is possible to build up an entire

musical arrangement, part by part, playing each
instrument by yourself.

This is possible because the MT44D lets you monitor

already-recorded tracks while recording new tracks
—in perfect synchronization.

Example:

Record the drums on channel 1, guitar on channel 2,

and synthesizer on channel 3.

Synchro-Track Recording

PING-PONG RECORDING

If you want to record more than 4 parts, one at a time, you'll need to know about "ping-pong" recording.

With this technique you record on tracks 1,2 and 3, and then record these three tracks onto track 4 so

tracks 1, 2 and 3 are opened up for further recording. With some resourceful ping-ponging, you should

be able to record up to 10 independent tracks as shown in the accompanying example.

A RM602 6iN/20UT mixer and RB 35B RACK and PATCHBAY can make ping-pong recording and other

advanced multitrack techniques easy.

Example:

Recording tracks "A" through "J" using the ping-pong process.

©Record parts A, B and C.

CHI

A................

CH2

CH3

CH4

——.

©Ping-Pong A, B and C to

track 4 while adding part D.

) Record parts E and F.

I::;;;

a

'

b

'

c

'+

d

:::;::

A,

B,c -t-.P;;;:::

©Ping-Pong E and F to track

3 while adding G.

;:;E,F -

i

-

g

;:

A,B,c -

hd

:;

) Record H.

• A!и'‘у'+ii);:;:::

) Move H to track

2 while adding I.

W

e

.

f

xa

?

b

!

c

‘T

d

^

@ Record J, the last part.

•:-:

e

.

f

-

i

-

g

:

v

:i

a

,

b

',

c

+'

d

::

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