Proel M602FX - Manual (Page 14)

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p 10. MONO TAP DELAY - Typical mono delay with me set by the user TAP bu on (22) just below.
The VARIATIONS vary from 0% [1] to 75% [16] of feedback quan ty.
p 11. CHORUS - Typical modula on eff ect, provides a so , ethereal sweeping eff ect. Perfect for enhancement of
electric and acous c guitar and bass. Also adds a drama c eff ect to vocals, par cularly group harmonies and choirs.
The VARIATIONS increase the modula on frequency from 0.5Hz [1] to 5Hz [16].
p 12. FLANGER - Typical modula on eff ect, creates a strong sweeping eff ect, par cularly eff ec ve on rock electric
guitar, lead and rhythm.
The VARIATIONS increases the modula on frequency from 0.2Hz [1] to 3Hz [16].
p 13. REVERB+DELAY 1 - Typical vocal hall reverb and stereo delay combined together.
The VARIATIONS vary from long tail [1] to short tail [16].
p 14. REVERB+DELAY 2 - Typical vocal hall reverb and mono delay combined together.
The VARIATIONS vary from long tail [1] to short tail [16].
p 15. REVERB+TAP DELAY - Typical vocal hall reverb and mono TAP delay combined together.
The mono delay me is set by the user TAP bu on (22) just below.
The VARIATIONS vary from long tail [1] to short tail [16] and from 0% to 75% of feedback quan ty [1-16].
p 16. REV+CHORUS - Typical vocal reverb and chorus eff ect combined together.
The VARIATIONS vary from long tail [1] to short tail [16] and increases the modula on frequency from 0.5Hz to 5Hz
[1-16].
16. TAP bu on and LED
When “TAP DELAY” eff ects (p 9, 10, 15) are selected, by pushing at least two mes this bu on, it’s possible to set the
desired delay me, according to music rhythm. The TAP LED fl ashes in sync with the delay me set.
17. MUTE bu on
Engage this switch if you want to mute the signal outgoing from the internal eff ect to the MAIN MIX.
NOTE: the eff ect can be turned on/off also by means of a footswitch connected to the FX MUTE jack socket.
18. PEAK detector
This LED shows 2 condi ons:
• always lighted = signals that the eff ect is MUTED.
• fl ashing = signals a too high input level, near to the overload of the eff ect input stage. In this case, reduce
the level of the AUX / FX sends. The PEAK LED fl ashes when the eff ect input signal is near to the A/D satura on point
of the PROFEX processor.
19. FX LEVEL control
It adjusts the level of the internal eff ect signal sent to the MAIN MIX outputs.
20. FX TAP jack input
¼” (6.3mm) unbalanced (TS) jack for temporary, normally open footswitch (not supplied), suggested footswitch is the
PROEL model GF29. When “TAP DELAY” eff ects (p 9, 10, 15) are selected, by pressing at least two mes the footswitch
it’s possible to set the desired delay me, according to music rhythm.
21. FX MUTE jack input
You can connect a footswitch to MUTE the mixer internal eff ect, suggested footswitches are PROEL model GF29.
22. AUX RET jack input
Unbalanced jack connectors (0dB) of the auxiliary stereo input (note: the L input can be used as MONO if R input is le
unconnected). This input can be used for the return signal from outboard eff ects or for connec ng any instrument or
equipment with a line output.
23. AUX RET level control
It adjust the level of the AUX RET inputs and send it to the MAIN MIX and to the CTRL ROOM/PHONES outputs on master
sec on.
24. 2TRK inputs
Use these unbalanced RCA connectors to patch the output of a player, such as an analog tape deck, MP3 player, CD/DVD
player or a Personal Computer.
25. 2TRK IN level control
It adjust the level of the 2TRK INPUT.
26. 2TRK outputs
Use these unbalanced RCA connectors to send out the MAIN MIX signal to a recorder, such as an analog tape or an A/D
converter connected to a Personal Computer.
27. 2TRK OUT level control
It adjust the level of the 2TRK OUTPUT, this control is post the MAIN MIX fader control.