Martin Audio WLX - Manual (Page 23)

Stacked WLX/WLXGS application examples
The following sketches show how WLX/WLXGS arrays may be deployed for a wide range of productions
and types of venue. All productions and venues present their own unique requirements and these examples
are intended as a template or starting point for your own specific design.
Examples 1 and 2 show typical set-ups for smaller venues.
(1) WLX/WLXGS set-up for small, high power variety/orchestral production
WLX/WLXGS arrays shown with front fiulls
Gives medium vertical & wide horizontal coverage up to 120Hz - allowing for ground effects.
Example 1 uses small stacks of WLX/WLXGS for a high power variety or orchestral production.
(2) WLX/WLXGS set-up for small, very high power dance/rock production
WLX/WLXGS arrays – again shown with front fills
Gives very narrow vertical & wide horizontal coverage up to 120Hz - allowing for ground effects.
Example 2 shows a tight vertical set-up for a very high power dance or rock event where it is desirable to
keep low frequency energy concentrated on the audience for maximum bass/mid-bass punch without
excessive roof excitation. Note that the apron WLX/WLXGS arrays are there to provide smooth nearfield
coverage, balance backline leakage and keep the overall sound image locked onto the stage. The closer
spacing, used for the very high power set-ups, helps maintain bass/mid-bass focus out to the midfield/mix
position.
All material © 2007. Martin Audio Ltd. Subject to change without notice.