Positioning the db500a, English – Samson dB500a User Manual

Page 10

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Positioning the dB500a

Microphone Positioning - How to Reduce Feedback

Feedback is the annoying howling and squealing that is heard when the

microphone gets too close to the speaker and the volume is high. You get

feedback when the microphone picks up the amplified signal from the

speaker, and then amplifies through the speaker again, and then picks it up

again, and so on and so on. In general, it is always recommended that any

LIVE mic (a mic that’s on) is positioned behind the speaker enclosures. This

will give you the best level from your system before feedback. One possible

exception is when you are adjusting the sounds of the microphones, since

you want to listen in front of the speaker to hear properly. To do this, lower

your mixers MAIN VOLUME while setting the EQ and effect from in front of

the speakers. Once you have the sound you like, move the microphones to

behind the speakers and raise the Main volume.

Speaker Placement

Whenever possible, it is a good idea to raise the speakers above the heads of

the listening audience. The dB500a enclosures’ feature standard 1 3/8” pole

mount receptacles, which are compatible with speaker stands from a variety

of manufacturers. In a smaller setting like a school cafeteria, library, or a mall

kiosk, you can also use the dB500a in one of the tilt back monitor positions,

which will improve the projection of the speakers and may eliminate the

need for speaker stands.

Using the dB500a as a Floor Monitor

The dB500a is an ideal solution for stage monitoring and thanks to its unique design, two wedge monitor

positions are possible. When placed on its

side with the high frequency horn facing to

the left of the enclosure, the dB500a is tilted

at a fifteen degree angle, optimizing perfor-

mance when used on a large stage. When

placed on its side with the high frequency

horn facing to the right of the enclosure, the

dB500a is tilted at a thirty degree angle opti-

mizing performance when used on smaller

stages. In a large stage monitor system, sev-

eral dB500a’s can be daisy-chained together

using the Line Output. In many instances

(when using the dB500a as a monitor system)

you may choose to use an external equalizer

like the Samson S Curve 131 to increase the

volume and reduce the chance of feedback.

In this case be sure to set the HIGH and LOW

EQ to the 12:00 or flat position.

ENGLISH

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