Connections – KORG sampler User Manual
Page 18
10
Connections
Connections must be made with the power turned
off. Please be aware that careless operation may dam-
age your speaker system or cause malfunctions.
AC power supply
to an AC outlet
Power cable (Option)
Power Switch
PHONES
MIDI IN
Mixer
Powered monitors,
etc.
MIDI OUT
DAMPER
EXB-mLAN
Option
EXB-DI
Option
PEDAL
SWITCH
ASSIGNABLE
MIDI cable
INPUT
(INDIVIDUAL)
(MAIN)
4
3
2
1
R L/MONO
Mic
INPUT
Monitor
OUTPUT
CD player,
analog record player, etc.
Effect processor etc.
If a passive type guitar (a guitar
without an internal preamp) is
connected, it will not be possible
to sample at an appropriate level
due to the impedance mismatch.
Such instruments must be
connected via a preamp or effect
unit.
DAT etc.
Hard disk,
Removable disk,
CD-R/RW etc.
DIGITAL IN
DIGITAL OUT
S/P DIF
OUT(MAIN) IN
SCSI
AUDIO OUTPUT/
AUX OUT etc.
AUDIO INPUT 1, 2
AUDIO OUTPUT
1. Connecting the power cable
5. Connecting pedals
8. Installing options
6. SCSI device connections
3. Analog audio input connections
2. Analog audio output
connections
4. Digital audio
input/output connections
7. Connections to
MIDI equipment/computers
MIC
1
BAL
OR
UNBAL
LINE IN 1
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB -40dB
10
60
U
-10dBV
MI
C GAIN
LINE IN 7-8
L
R
BAL
OR
UNBAL
MONO
+4
-10
LEVEL
LINE IN 9-10
L
R
BAL
OR
UNBAL
MONO
+4
-10
LEVEL
LINE IN 11-12
L
R
BAL
OR
UNBAL
MONO
+4
-10
LEVEL
LINE IN 13-14
L
R
BAL
OR
UNBAL
MONO
+4
-10
LEVEL
STEREO AUX RETURNS
1
2
1
2
AUX SEND
LEFT(1/MONO)
RIGHT
ALL BAL/UNBAL
L
R
TAPE
INPUT
TAPE
OUTPUT
MAIN OUTS
L
R
BAL/UNBAL
PHONES
MICRO SERIES 1402-VLZ
14-CHANNEL MIC/LINE MIXER
MIC
2
BAL
OR
UNBAL
LINE IN 2
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB -40dB
10
60
U
-10dBV
MI
C GAIN
MIC
3
BAL
OR
UNBAL
LINE IN 3
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB -40dB
10
60
U
-10dBV
MI
C GAIN
MIC
4
BAL
OR
UNBAL
LINE IN 4
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB -40dB
10
60
U
-10dBV
MI
C GAIN
MIC
5
BAL
OR
UNBAL
LINE IN 5
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB -40dB
10
60
U
-10dBV
MI
C GAIN
MIC
6
BAL
OR
UNBAL
LINE IN 6
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB -40dB
10
60
U
-10dBV
MI
C GAIN
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
1
MUTE
A LT 3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
2
MUTE
A LT 3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
3
MUTE
A LT 3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
4
MUTE
A LT 3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
5
MUTE
A LT 3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
6
MUTE
A LT 3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
7–8
MUTE
A LT 3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
9–10
MUTE
A LT 3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
11–12
MUTE
A LT 3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
13–14
MUTE
A LT 3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
dB
10
5
U
5
10
20
30
40
50
60
dB
10
5
U
5
10
20
30
40
50
U
+10
U
+20
U
+20
1
2
AUX 1 MASTER
PRE
POST
NORMALLED
AUX 1
SELECT
EFX TO
MONITOR
AUX
RETURNS
SOURCE
MAIN
MIX
LEFT
RIGHT
CLIP
+28
+10
+7
+4
+2
0
-2
-4
-7
-10
-20
-30
0dB=0dBu
RUDE SOLO LIGHT
ALT
3-4
TAPE
ASSIGN
TO MAIN MIX
NORMAL(AFL)
LEVEL SET(PFL)
SOLO
MODE
PHANTOM
POWER
CONTROL
ROOM
/ PHONES
MAIN MIX