Sampling (recording a sample), Sampling a vocal from a mic, and playing it as a, One-shot” sample – KORG sampler User Manual

Page 45: Eady mode, P.37), P.37), or when applying the, Connect a mic and make input settings (input), Set the recording level (recording level [db])

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37

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t

Power on/off

Demo song

Playing

programs

Playing

combinations

Using

controllers

Arpeggiator

RPPR

Program

editing

Combination

editing

Sampling

Song

Sampling (recording a sample)

The TRITON STUDIO can record 48 kHz stereo 16-bit
samples. Sampling can be performed in Sampling, Pro-
gram, Combination, and Sequencer modes. (Open Sam-
pling System)

The various functions of each mode can be used while
sampling.

Here are some examples.

• Sample a vocal from a mic, and play it back using

“one-shot” playback.

• Apply insert effects to the audio input, and sample the

result.

• Name multisamples or samples.
• Save the data you sampled.
• Convert a multisample into a program.
• Sample and loop-playback a drum phrase, etc.
• In Program mode, resample a phrase played by the

arpeggiator.

• In Program mode, listen to drum phrases played by

the arpeggiator while you sample the external input
from a guitar.

The example procedures described here begin from
the initial settings of the TRITON STUDIO immedi-
ately after power-on.

For other procedures and more detailed explanations,
refer to p.99 or PG p.87.

Sampling a vocal from a mic, and
playing it as a “one-shot” sample

1. Connect a mic and make input settings

(Input)

1 Connect a mic to the AUDIO INPUT 1 jack located on

the rear panel.

Set the AUDIO INPUT [MIC/LINE] switch to the MIC
position

, and set the [LEVEL] knob to the center.

2 Press the [SAMPLING] key to enter Sampling mode.

3 Press the Input Setup tab to select the P0: Recording,

Input/Setup page.

4 Set “Input” to Analog.

5 In the Input1 area, set “BUS” to L/R, specifying the

bus to which the AUDIO INPUT 1 jack will be input.

Make sure that the Input1 level (“Level”) is 127, and
the “Pan” is L000.

Be aware that when “BUS” is changed from Off to L/
R

or IFX1–5, the volume level to the AUDIO OUT L/

MONO and R jacks or to the headphones may rise
abruptly.

2. Set the recording level

(Recording Level [dB])

1 Speak into the mic at the volume that you will use for

recording.

If the display indicates “ADC OVERLOAD !!” (AD
converter input overload), turn the rear panel [LEVEL]
knob toward MIN to adjust the level appropriately.

The best audio quality will be obtained at the highest
possible level that does not cause an overload; i.e., a
level that is slightly below the point where “ADC
OVERLOAD !!

” is displayed.

2 Press the SAMPLING [REC] key.

Speak into the mic at the volume that you will use for
recording.

The level meter will show the input volume.
If the display indicates “CLIP!!,” use the VALUE con-
troller to lower the “Recording Level” slider (located
in the right of the display) from the +0.0 setting down
to an appropriate level.

3 When you have finished making adjustments, press

the SAMPLING [REC] key again.

Mic

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