Lectrosonics Venue (Narrowband) User Manual

Page 13

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Digital Hybrid Wireless™ Modular Receiver System

Three diversity reception modes are available:

Switched Diversity uses one receiver module per

audio channel.

Ratio Diversity (OptiBlend

TM

) uses two receiver

modules per audio channel.

Frequency Diversity uses two receiver modules

and two transmitters per audio channel.

Press the Receiver Select Buttons to enter the setup

screens for the receiver modules.

Switched Diversity

In this mode the signals from both antennas are com­

bined into a single receiver module, with the phase of

one of them inverted back and forth so that they always

add to one another. The process reduces dropouts and

provides a stronger signal than a single antenna.

Ratio Diversity (OptiBlend

TM

)

Ratio diversity uses two adjacent receiver modules to

pick up a single transmitter. The audio outputs of the

modules are blended (mixed) together, using more or

less audio from each module based upon which module

has the stronger RF signal.

Ratio diversity anticipates dropouts before they occur,

rather than waiting until the RF signal level is very weak

and on the verge of noise or dropout. The comparison

of the RF signal levels in the modules begins when the

RF level is still high, so the circuit can blend in more

audio from the module with the stronger signal before

the signal decays enough to cause noise.

The blending action is smooth and seamless to avoid

any audible artifacts that can occur with abrupt switch­

ing. Most of the time both receiver modules have good

signals, so the audio is blended equally, which improves

the signal to noise ratio by 3 dB.

The blended audio appears at the rear panel XLR out­

puts of both modules.

Frequency Diversity

Frequency Diversity differs from the other two diversity

modes in that it uses two receiver modules and two

transmitters operating on different frequencies. The pur­

pose of this mode is to have redundancy in the system

for critical productions, such as live television, to guard

against failures caused by dead batteries and multipath

dropouts. The blending process to combine the audio

from the receiver modules is the same as that used for

OptiBlend ratio diversity.

Frequency Diversity requires that the levels of the two

audio channels to be closely matched to avoid au­

dible level changes as the blending action takes place.

In order for this blending to work properly, a special

test mode helps to get the transmitter levels exactly

matched. The test mode is automatically activated when

the DivMode Setup Screen is active and Frequency

Diversity is selected, as shown in the LCD photo above.

Note: In Frequency Diversity mode, both

transmitters must be the same type (usually the

same model). The microphones must also be

placed very close together to minimize comb

filtering.

To prepare for operation in the Frequency Diversity

mode, make the following adjustments:

1

. Set up the transmitters according to their instruc­

tions. Plug a set of headphones into the front panel

PHONES jack to monitor the blended output. You

can also monitor the output from the rear panel

XLR jack for either module in the pair.

2. While listening to the blended output, adjust the

gain control on one of the transmitters so that the

audio loudness drops way down (nulls) as the two

channels cancel each other. If the output does not

null, then reset the transmitter input gain control

back to where it was and press the Function button

on the front panel next to the word INVT on the

LCD. This will invert the phase of the audio on the

second module so it will null properly.

INVT shown in Off Position

Rio Rancho, NM, USA

13

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